藝術＋科技的「融」時代：中國新媒體舞蹈發展芻議

本文擬對中國當前新媒體舞蹈發展狀況做實踐案例分析探討。首先回顧西方新媒體藝術及其新媒體舞蹈的歷史源流，探討中國新媒體舞蹈的發展歷史與現狀，結合中國新媒體舞蹈作品進行案例分析，由此進一步闡述中國新媒體舞蹈在技術與藝術碰撞下出現的融合、矛盾、困惑等現象與問題。本文分四個部分展開論述。第一部分概要性介紹西方新媒體舞蹈和中國新媒體舞蹈，在比較中說明中西新媒體舞蹈藝術的方興未艾與蹣跚學步的歷史性差距與發展現狀。第二部分通過「身體—空間」「身體—語言」兩個方面梳理出在新媒體影響下新媒體舞蹈區別於傳統舞蹈表演形式的新的藝術特點，論述中國新媒體舞蹈在創作實踐領域的多維探索與積極嘗試，由此窺視當下中國新媒體舞蹈編創的發展方向、軌跡與水平等現實困境。第三部分通過目前新媒體舞蹈存在的兩種主要實踐類型：「屏幕上的舞蹈」和「舞台上的屏幕」中較受關注的作品進行典型案例分析，聚焦「中國樣式」這一方向，對新媒體舞蹈藝術在文化限定下的中國主體觀和新媒體舞蹈藝術中「內容為王」的核心競爭力進行了梳理。第四部分對中國新媒體舞蹈的未來發展之路提出觀點與展望，以求從完善學科建設與人才培養，突破科技與藝術間的融合，以及拓展研發實踐和展示平台。希望有助於中國新媒體舞蹈的實踐空間不斷豐富拓展，以空間換取質變。結語部分肯定了當下中國新媒體舞蹈藝術充滿生命活力的價值與特性，同時指出，需要清醒地認識到，中國新媒體舞蹈藝術處在蹣跚學步的路上，在矯枉過正的途中存在著諸多粗製濫造的「複製品」。只有依靠舞蹈從業者中的有誌之士不斷從事理論總結、實踐探索並執著堅守於這份事業信念，未來才能將中國新媒體舞蹈藝術推向國際舞台。

關鍵字

新媒體舞蹈；「身體—空間」；「身體—語言」；文化主體觀；內容為王

並列摘要

This paper aims to make a preliminary discussion on the development of Chinas current new media dance art. It first reviews western new media art and history origin of new media dance, trying to explore the development history and current situation of Chinas new media dance, and make case analysis combining with Chinas new media dance works, thus further expounds Chinas new media dance's fusion, contradictions, confusion and problems which occur in the collision of technology and art. This paper is divided into four parts. Part one makes a general introduction of western new and China's new media dance, comparing Chinese and western historical gap of new media dance art and the development status, with one growing and the other toddling. Part two teases out new artistic features of new media dance works which are different from that of traditional dance performance under the influence of new media through "body-space" and "body-language", and discuss the multidimensional exploration and active attempt in the creation time and field of China's new media dance, thus explores the development direction, process, level and other realistic problems of the editing and creation of Chinas new media dance. Part three analyzes typical cases via two main practical types of new media dance focused in current: "Dance on the Screen" and "Screen on the Stage". Focusing on the direction of "Chinese style", this paper sorts out the Chinese subject concept of new media dance art under the cultural restrictions and the core competitiveness of "content is king" in new media dance art. Part four puts forward views and prospects for the future development of Chinese new media dance, in order to improve the discipline construction and talent training, break through the integration of science and technology and art, and expand the research and development practice and exhibition platform. It is hoped that the practice space of Chinese new media dance will be enriched and expanded continuously, and qualitative changes will be exchanged for space. The conclusion part affirms the vigorous value and characteristics of China's new media dance art, at the same time, pointing out that we should recognize Chinas new media dance art is in its infancy, lots of unavoidable rough and messy "copies" are in the correction process. Only dance practitioners constantly engage in theoretical summarization, practical exploration and persist in such enterprise faith, can we promote China's new media dance art to the international stage in the future.

並列關鍵字

New Media Dance ； "Body-space" ； "Body-language" ； Concept of Chinese subjectivity ； King content

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