死亡的誕生－《酒神的女信徒》中的窺密與揭露

The Birth of Death - The Peeping and Exposure in "The Bacchae"

陳姿伶(G-Ling Chan)

《2017跨界對談12－表演藝術研究學術研討會論文集》 第十二屆上冊 (2017/12) Pp. 63-82

摘要

尤瑞匹底斯（Euripides）《酒神的女信徒》（The Bacchae）可以是一個透過揭秘而發現內在的故事。劇中人物彭休斯為了窺看與理解女信徒為何聚集狂歡，喬裝混入。可是他最終仍在不解聚會奧義的狀況下，因偷窺而死於母親之手。劇本中酒神以其魔法遮蔽現實，懲罰主角，但在此窺探與揭露的過程中「死亡」也成為本劇探索的過程，象徵劇本意味著另一個浮潛自我的誕生。好奇心對秘密，是具有穿透性的。它在穿梭與窺探之間來回運行並附著在主體最先感知到的或最深惡痛絕的自我，向著重生的方向前進換言之對於秘密的窺探與揭露的冒險，如果沒有外在具體的行動，那麼內部的冒險也不可能展開。本文試圖藉著分析劇本透過秘密揭露與死亡兩者之間，說明死亡的誕生在於突破界限進入幻象，以釐清窺秘與揭露的本質。

關鍵字

酒神的女信徒 ； 秘密 ； 死亡 ； 誕生

並列摘要

Euripides "The Bacchae" could be a story which reveal inherency through the unveiling of secrets. Pentheus, the character in the play wanted to figure out why the female believers gathering in order to glimpse and disguised. In the end, he still confessed in meaning of their gathering, and died in the hands of the mother for peeping them. In the script, Dionysus obscures the reality with his magic, punishes the protagonist. But in the process of peeping and exposing it, "death" has become the process of exploring the play, symbolizing the play of another birth of hidden self at the same time. Curiosity to the secret is penetrate. It runs back and forth between shuttle and snooping and then attaches to the first perceived or the most disgusting self in the subject which advancing to the direction of rebirth, for the secrets of secrets and exposes. If there is no external concrete action, then the internal adventure can't be started. This article attempts to analyze the script between exposing the secret and death, to explain that the birth of death is breaking through the boundaries into the illusion and to clarify the nature of peeping and reveal.

並列關鍵字

The Bacchae ； secret ； death ； birth