「紅顏為何薄命」：以拉岡派精神分析探究愛倫坡女性小說

Why "the Death of the Beautiful Woman": A Lacanian Psychoanalytic Approach

林俊男(Chun-nan Lin)

指導教授 ： 劉毓秀

國立臺灣大學/文學院/外國語文學研究所/碩士(2007年)

https://doi.org/10.6342/NTU.2007.02432

摘要

無資料

關鍵字

愛倫坡 ； "貝瑞妮絲" ； "麗姬亞" ； "莫瑞拉" ； 拉岡 ； 精神分析

並列摘要

This thesis argues that Edgar Allan Poe’s tales of “the death of the beautiful woman” present a psychotic logic that cannot be fully elucidated by the traditional critical approaches. The male subject in Poe’s tales presents a psychotic structure by Lacanian definition, that is, with the foreclosure of the Name-of-the-Father, while the mythical and phantasmagoric chamber presents a secluded world lacking of paternal function. The ethereal and beautiful woman emerges as the Imaginary other to the male protagonist, just as Schreber’s God as the Imaginary other to him in Freud’s noted case. Such Imaginary relationship involves ambivalence of narcissism and aggressiveness, manifest in the male’s idealization and abhorrence of the female. Yet the delusional female figure, though existing only in the Imaginary, somehow helps to stabilize the psychotic subject. The delusional system, or what Lacan calls the “delusional metaphor,” serves as a stand-in for the missing paternal metaphor. It is the psychotic’s attempt for recovery, as Freud indicates. The death of the Imaginary other in these tales implies a collapse of such delusional system and the emergence of the uncanny doubling. This leads to a fragmented body—of the male protagonist/ narrator as well as the involved readers—inundated by Real drives. For this reason, Poe’s repetition of the same topic reveals a repetition of the inassimilable Real, and even affects the reader with an irresistible jouissance. Poe’s writing is a writing that writes itself, a writing propelled by pure drive. It is a writing of drive with its uncanny performativity that disregards the subject and sweeps every one into its dizzying maelstrom.

並列關鍵字

Edgar Allan Poe ； "Berenice" ； "Ligeia" ； "Morella" ； Lacan ； psychoanalysis

參考文獻

沈志中。 “閱讀精神病”。 文化研究。 3(2006): 7-46.

Baudrillard, Jean. “The Ecstasy of Communication.” Tran. John Johnston. The Anti-Aesthetic. Ed Hal Foster. Port Townsend: Bay Press, 1983. 126-34.

Carter, Catherine. “‘Not a Woman’: The Murdered Muse in ‘Ligeia.’” Poe Studies/ Dark Romanticism. 36(2003): 45-57.

Castle, Terry. “Phantasmagoria and the Metaphorics of Modern Reverie.” The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny. New York: Oxford UP, 1995. 140-67.

---. The Lacanian Subject: Between Language and Joissance. New Jersey: Princeton UP, 1995.