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  • 會議論文

從《八音協奏曲》與《布農傳奇》看民間音樂與交響樂團的跨界合作

The viewpoints observed from the composition and crossover performance of folk music and symphony orchestra in "Concerto of Eight Sounds" and "Bunun Legend"

摘要


本研究乃基於作者本人所作之「跨界」作品-《八音協奏曲》(2007)、《布農傳奇》(2008)兩首樂曲之採譜、譜曲與指揮工作,藉著這兩個實例,探討「跨界合作」創作與演出之技術與藝術層面問題。本文之重點在於指出「跨界合作」之特性:體系的差異、量身定做、採譜記譜....等問題,揭明「跨界」爲過程,而非作曲最終目標之旨。

並列摘要


This article is based upon the dictation, composition and conducting of two "crossover" orchestral works-"Concerto of Eight Sounds" and "Bunun Legend" composed by the author. The aim is to point out the technical and aesthetic problems of "crossover" performance. The central point of view is to indicate the special characteristics of "crossover" performance: different systems, custom-made, notation...problems and derives the conclusion that "crossover" is a process but not the end of composition.

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