透過您的圖書館登入
IP:3.134.77.195
  • 學位論文

二十一世紀日本文化外交政策之研究-從大眾文化的利用之觀點

A Study on the Japan’s Cultural Diplomacy in the Twenty-First Century: In Terms of the Use of Popular Culture

指導教授 : 何思慎
若您是本文的作者,可授權文章由華藝線上圖書館中協助推廣。

摘要


這幾年世界各國積極開始推動文化外交,日本也關注在世界引起注目的日本大眾文化,而進入21世紀以「酷日本(Cool Japan)」為核心推動文化外交政策。本研究的目的在於從大眾文化的利用之觀點來分析小泉政權以後日本文化外交政策。論文首先檢討Nye的柔性權力之概念以及日本國內對柔性權力議論的情況,進而探討柔性權力資源的大眾文化之可能性。其次,從大眾文化的利用之觀點來探討小泉政權以後日本文化外交的發展過程、目的、意義等,同時指出文化外交所包含的問題。再次,探討以日本對台灣文化外交政策為例來探討文化外交的實踐方面。最後,展望日本文化外交政策的未來與可能性。研究發現,由日本的大眾文化而產生的柔性權力不是具有Nye所說的柔性權力,而是具有促進各國人越境交流和對話等更柔性的權力。日本以「酷日本」為核心所推動的文化外交只是追求經濟成長或國家形象的提高而已,因此日本文化外交不應該只是為了提高國家形象或促進經濟成長,而應該以「柔性」權力來創造日本與世界各國間對話和交流的場所。

並列摘要


In recent years, countries around the world have actively begun promoting cultural diplomacy. As part of this trend, Japan has been concerned with drawing attention to Japanese popular culture, and launched a cultural diplomatic policy called “Cool Japan” at the start of the twenty-first century. This thesis aims to analyze the use of popular culture in Japanese cultural diplomacy since the Koizumi administration. It first examines the concept of soft power described by Joseph Nye, domestic Japanese discourse about soft power, and the possibility of using popular culture as a source of soft power. Second, from the perspective of the use of popular culture, it looks at the development process, goals, and significance of Japan’s cultural diplomacy since the Koizumi administration, and indicates the issues involved in cultural diplomacy. Third, the thesis evaluates the actual practice of cultural diplomacy in a case study of Japan’s cultural diplomacy toward Taiwan. Finally, it comments on the future and potential of Japan’s cultural diplomacy. The thesis finds that the soft power produced by Japanese popular culture is not soft power as described by Nye, but rather a softer form of power that promotes cross-border exchange and dialogue at the individual level. Japan’s “Cool Japan” cultural diplomacy is merely an attempt to pursue economic growth and raise Japan’s national image. Japan’s cultural diplomacy should not be about only these goals, and should use “softer power” to create places for exchange and dialogue between Japan and other countries at the state level.

參考文獻


陳仲偉,2005,<從哈日到知日-以日本動漫文化為例>,《思與言》,第43卷第1期,頁25-70。
堀越和男,2007,<日語學習動機與其成效之研究-以台灣主修日文之學生為對象>,《台大日本語文研究》,14期,頁75-101。
洪良倩,2010,<台湾の大学における日本語の学習動機付けについての調査研究——非専攻の学習者を中心に——>,《中州學報》,28期,頁275-298。
財團法人交流協會,2010,<2009年台湾における日本語教育事情調査>,財團法人交流協會網頁,
楊竹山、郭發勇、周輝譯,2001,《文化理論與通俗文化導論(第二版)》,南京:南京大學出版社。譯自 John Storey. An Introductory Guide to Cultural Theory and Popular Culture(2nd ed). London : Harvester Wheatsheaf. 1993.

被引用紀錄


溫武寰(2014)。日本公共外交研究-以日中關係為例(2006-2012)〔碩士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2014.00140

延伸閱讀