建築織理性木構築

建築風格對於建築師而言，一直以來都是個有趣且不斷被挑戰的話題。在不同的時空環境中，建築師試圖著找出一種屬於當時的建築風格與特色。有些人認為建築風格來自於過去對於符號學的研究理解，或是認為建築風格應該是當地隨手可得材料使用的結果，也有人認為建築風格來自於構築。隨著建築相關理論的演進，人們逐漸由傳統中找尋風格的思維，逐漸轉變成為追尋過去未曾出現的風格，並試圖創造出新的建築新風格。編織是人類已經使用很久的工藝，隨著時間不斷的演進著，然而在建築的應用上卻受到許多限制，例如:人力、時間、金錢……等，但許多建築論家與建築師還是嘗試要將編織溶入至建築的構築當中。以往對於建築織理性的討論似乎受到許多限制，除了組合構件的材料限制外，最主要的是人們對於編織的印象還停留在平面線條或是工整的立面上，並未嘗試理解到立體整體的內部編織式構成。過去人們對於編織的想像的僅停留在手工，然而拜資訊時代所發展的數位設計之賜，透過電腦輔助設計與製造，以參數化設計軟體與數位製造的硬體，我們透過各種數據的資料結構了解編織在數位建築上所能呈現的新發展。木材從過去到現在都是在構築上時常使用到的材料，人類對於木構築使用的歷史非常悠久，對於木材的研究更是豐富；其原因不外乎取得容易、加工方便、可重複使用與環保建材等。當代對於木材加工技術的進步，使得木材的硬度不遜於目前經常使用的混凝土。本研究討論木構築相關知識與工法，試圖組織出由平面編織逐漸發展到三度空間建築織理性之討論。在設計操作上採用不同手法對於編織進行詮釋，逐步從現有編織紋路的討論、編織過程的程序編寫、以至於最後是以一比一尺度的織理性木構築的方呈現。

關鍵字

木構築；平面編織；織理性；參數化設計；數位製造

並列摘要

Architectural style is an interesting and constantly challenged topic for architects. In different ages, the architect tries to find out a kind of architectural style and characteristic which belong to the time. Some people think that architectural style comes from the past understanding of semiotics, or architectural style should be the result from the use of local readily available materials, and some people think that architectural style comes directly from the construction. With the evolution of architectural theories, people gradually turn to the traditional thinking of style, and become the pursuit of the past never appeared, and try to create a new architectural style. Weaving is a process that humans have been using for a long time, and it has been evolving over the years, but there are many restrictions on the application of weaving in architecture, such as manpower, time, money, and etc., however many architectural theorists and architects have tried to apply weaving technique into architecture. In the past, the discussion of architectural weaving rationality seems to be subject to a lot of limitations, in addition to the material constraints of composite members, the most important thing is that the impression of weaving is still only limited to plane or façade, did not try to conduct the three-dimensional whole of the weaving composition. In the past, people's imagination of knitting is only by hand, but thanks to the digital design developed in the information age, through computer-aided design and manufacturing, parametric software and digital hardware, we have the possibilities for the new developments of weaving in digital architecture through data precessing. From the past to the present, timber is a common material in architecture, and people uses timber for construction in the history for a very long time. The studies of timber today are rich, the reason behind are timber is easy to obtain, processing convenient, reusable and environmentally friendly material. Contemporary advances in timber processing technology make the materiality of timber as strong as concrete. This research discusses the knowledge and methods of timber tectonic, and organizes the discussion of weaving from planar weaving to three dimensional weaving in space. In the designs of this study apply different techniques of weaving, step-by-step from the discussion of the existing weaving, the process of weaving procedures, and the final is a 1:1 scale timber structure of weaving.