「腐」蝕大眾文化：對「妄想」發生機制的初探

Queering Mass Culture: a Preliminary Study on Mechanism of Wangxiang

屈博洋(Qu Bo-Yang)

指導教授 ： 方念萱

國立政治大學/傳播學院/傳播學院傳播碩士學位學程/碩士(2019年)

https://doi.org/10.6814/THE.NCCU.COMM.007.2019.F05

摘要

本研究以隱喻認知取徑為出發點、以身體感取徑為落腳點，研究「妄想」此一腐女文化中關鍵卻鮮見分析的題目。關於「『妄想』是如何發生的」此一心之所繫，本研究提出如下研究問題：1、人們如何藉由「腐」的身體感項目進行感知；2、「腐」涉及何種身體技術，該身體技術要如何養成。針對以上問題，本研究使用以焦點團體訪談及教學工作坊為主的研究方法並招募腐女作為主要研究對象進行探究。

本研究發現，「妄想」不是一種表徵符號的運作，而是一種基於身體感知基礎上的身心經驗。「妄想」涉及的經驗是人們透過「腐」的身體感項目對「妄想」對象進行感知的經驗，它主要涉及視覺感官的感知，此外還有聽覺感官的感知以及身體整體的聯動與協作。

每一個身體感項目都涉及在它所浮現的文化中培養出的一套身體技術。本研究討論的「腐」的身體技術限定在透過看、聽等感官發現萌點的技術，即辨識的技術。本研究發現辨識的技術需要建立在對愛情的興趣、特別是男性間愛情的興趣之上。技術的培養則需受到BL作品的啟蒙並浸潤其中；借助社會對男性間的行為規範，不斷壓縮男性間友情互動的範圍、擴大愛情互動的範圍；建立屬於自己的「萌點資料庫」；「美型」與否也可能是辨識是否會發生的重要元素。本研究還發現，在辨識的技術中本存有想像、創作的元素，因此「妄想」的兩個環節——詮釋與創作——並非前後有別、無法截然二分。

關鍵字

妄想 ； 腐 ； 概念隱喻 ； 身體感 ； 身體技術 ； 腐女

並列摘要

This study aims to address the central objective, Wangxiang, which plays a significant role in fujoshi culture but has rarely been researched. To explore how Wangxiang occurs, the theory of metaphorical cognition and the path of Shentigan are employed as the theoretical approach. The research questions revolve around how people perceive through Shentigan categories of “Fu” and how to cultivate its relevant body technique. To examine these research questions, this study recruited fujoshi as main participants for focus group interview and teaching workshops.

This study suggests that Wangxiang is not an operation of symbols. Rather, it is a physical and mental experience built upon physical perception. The experience of Wangxiang can be considered as an experience of people perceiving Wangxiang objectives through the Shentigan category of "Fu". It involves, mainly, the perception of visual senses, concomitant with auditory senses and the linkage and collaboration of the whole body.

Each Shentigan category involves a set of body techniques that emerges from its cultural background. The body technique of "Fu" discussed in this study is confined to the technique of identification - the technique of discovering the “love between men” through the senses of seeing and listening. This technique of identification is built upon inclination for love and particularly male-male love. Boy’s Love works is an essential part of the cultivation of the technique. To train this technique, people should also circumscribe the scope of friend interaction between men and expand the scope of love interaction by taking advantage of men’s social norms. In addition, people need to establish their own "loveliness database". More over, there is a possibility that “prettiness” is a prerequisite of identification. This study also found that there are elements of imagination and creation exist in the identification technique, thus Wangxiang cannot be taken as a dichotomy of “interpretation” and “creation”.

並列關鍵字

Wangxiang ； Fu ； Conceptual metaphor ； Shentigan ； Body technique ； Fujoshi

參考文獻

英文部分

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