空間劇本是藉由空間情境的描述推展心理動能,並運用故事結構連結不同空間以產生連續性的意象,進而形構出空間樣態的寫作工具。寫作行為中包含著對場景情境的想像力,與對文本閱讀過程所對應到情境概念的感觸力;故空間劇本的寫作在於先「閱讀」實質空間脈絡,再抽取出組織文本所需要的文字語彙。 操作者從文字所指涉的「意象」(image)去進行情境的整合與發展,一方面設計者透過文本獲得更豐富的意象語彙;另一方面,意象必須依據實質空間脈絡(context)聚合成情境。因此空間劇本可由「人-境-物-活動」結構作為敘事的模型,而「空間•概念關係」結構可作為空間轉化的模型。由於上述的特性,故本研究將空間劇本的原理以「中介體」概念為中心定義。 中介體屬於亞系統(sub-system)類的框架文本,形成命題架構(framework of thesis)以作為意象辯證。此辯證發生在文本內在結構中,以及設計者與其他人之間。文本的辯證可由現象學所提供的四項指標作為標準,設計者可單就文本中所描述的情境去辯證概念與意象之間的的融合度與豐富性。
「Scenario of Space」 is a writing for describe ambiance as a story that link up different images of space one by one to build a whole place. The writing includes Imagination of situationand and visualization.for read that text which comprises sense and emtion.We need to analyze the context of environment then to develop concept of words and phrases that weave the text. Designer use the images of word to weave the text of situation, that’s a two-way methodology of design: 1, Designer can get more rich and colorful words and phrases through the writing; 2, the Images that to make up situation must be depend on context of place. The structure of 「Use-Space-Component-Activity」 is the model of narration, and the structure of 「Space-concept」 is the model that concept transforms to physical space. Because of these characteristics, I define the principle of 「Scenario of Space」 as theoretics of 「Intermediary」. 「Intermediary」 as some kind of framework-text belong the 「sub-system」, the framework-text offer some thesis to discuss tha suitability of images. The discussions that exist on the structure of writing also can be function in between designer and another people. Phenomenology offers four targets of description to be norms that discussion in process of writing.