摘要
摘 要 室內場所給人的體驗，有如音樂或電影之於人，烙印在腦海中。設計師則有如作曲家、編舞者、劇作家、導演，依據心中的旋律、幻景、美景將使用者、空間、家具當成舞台上的演員及道具。但能否給人深刻、值得回味的印象，端視設計者能否周延地、不厭其煩地將心中一幕幕「分鏡」立基於使用者偏好的角度、視線、路徑、心理。分鏡的導入在於使設計者慣用之靜態畫面轉化成為連續性、視線焦點定位、以及前景、背景、主從關係等考量複雜化，甚至兼顧後現代多元共存、隱喻對比等因人而異的空間感受，減少因單一性或簡略性遭使用者非議。本研究之目的在參考相關如上理論，以提出具有實用性的設計方法。 其進行方式可分成四個階段：1.掌握使用者種類及需求，2.使用者需求轉化為空間劇本之編撰相關理論與形式，3.彙整並分析之分鏡理論及繪製形式，以提出適用於室內設計之選擇，及4.整合前三步驟提出室內設計分鏡典範設計方法理論架構。
並列摘要
On the stance of personal experiences, it should be of little demanding to parallel the gay brought about by exquisite melodies and movies to that in interior spaces. Likewise, we may as well regard the role of interior designer as a composer, a choreographer, a play writer, or a movie director who conducts users, space frames, and furniture a show on the stage settings according to the musical notes, wonders, and fantasies bear in his mind. But there is no telling if the show would be amusing to the audience if the conductor had not thoughtfully sorted out the “storyboard” from the standpoint of users’ perspectives, preferences, visions, paths, and perception. In lieu of the much blamed monotonous design outcome, the employment of storyboard in interior design is meant to turn designers’ habitual use of static frame presentation into a series of sequential, focused views forming proper configuration of complex, figure/ground and major/subordinate contrasts, or even intriguing juxtapositions of Post Modernist, metaphoric, and contradictory place to diverse users. The objective of this research, thus, is to construct a useful design method which could holistically imbed the above mentioned parameters. To achieve the objective, this study shall be conducted in four separate stages. They are, first, to carry out literature review of theories and findings pertinent to environmental user groups, needs, and the way to transform such information into scenario-oriented scripts. Second, this study would collect and review cases and theories underlying paradigm shift and creative problem solving techniques. Third, the theories and formats of storyboard presentation techniques shall be collected and analyzed to elicit that applicable to interior designers. Finally, this study would present the design method founded on the findings of previous stages.