紅衣與金箭

Red Cloack, Golden Arrow

邢本寧(Pen-Ning Hsing)

指導教授 ： 劉慧芬

國立臺北藝術大學/戲劇學院學術論文/劇場藝術創作研究所劇本創作組/碩士(2012年)

https://doi.org/10.6835/TNUA.2012.00015

摘要

《紅衣與金箭》為一京劇劇本。劇情改編自傳統老戲《四郎探母》，加入新的人物，使原本兩代人觀點，擴展為三代。本劇擬探尋楊氏一門，在代代戰死沙場的命運中，生命最終得以平靜的可能「歸處」。

十五歲的楊宗美是楊延輝與孟金榜的女兒，從小沒見過父親。故事從楊延輝自遼返宋開始，細細演繹宗美如何從不接受父親的背叛，到逐步理解父親，最終主動為他代送金貔箭赴遼，解救公主母子。

《紅衣與金箭》是一則結合京劇形式與三幕劇結構的劇本書寫練習。這也是一次嘗試，試圖自問自答「戲曲、京劇表演、傳統價值體系在當代世界中何以自處？如何安身立命？」

關鍵字

劇本 ； 戲曲 ； 京劇 ； 新編戲 ； 四郎探母 ； 三幕劇 ； 改編

並列摘要

Red Cloak, Golden Arrow is a play of Peking Opera. The plot was adapted from the traditional drama Si Lang Tan Mu (Yang Silang Visits His Mother). New characters were added to expand the original perspectives of two generations to cover three generations to explore the “place of return”, where the Yang clan can ultimately achieve peace after dying in battle from generation to generation.

15-year-old Yang Zongmei is the daughter of Yang Silang and Meng Jinbang. She has not seen her father since childhood. The story begins with Yang Silang returning to Song from Liao, and carefully depicts how Zongmei progressed from rejecting her father to gradually understanding him. This results in her finally taking the initiative to send the Golden Arrow to Liao in place of her father to save the princess and princess’s child.

Red Cloak, Golden Arrow was an exercise in play-writing that combines Peking Opera with a three-act play structure. It was also the author’s attempt to answer the following question: How can Chinese opera, specifically performances of Peking Opera, and the traditional value system may operate and find a place for themselves in the present day world?

並列關鍵字

Play ； Chinese Opera ； Peking Opera ； Yang Silang Visits His Mother ； Three-Act Play ； Adaptation

參考文獻

王安祈，《性別、政治與京劇表演文化》。臺北：臺大出版中心，2011年。

專書

王安祈，《當代戲曲》。臺北：三民書局，2002年。

余英時，《知識人與中國文化的價值》。臺北：時報出版社，2007年。

陳芳英，《戲曲論集：抒情與敘事的對話》。臺北：臺北藝術大學，2009年