摘要 城市空間的物質特徵及外觀表現,是人在城市生活中最容易識別和記憶的部分,顯示著城市特色和生活水平。透過文化知識的解讀,在建築的演進過程中找尋空間轉變的意義,探索空間存在的價值,由居住經驗中推衍形體上的意涵,將空間屬性從物質環境轉為心理意識,成為創作思考的對象。 本文試以都市違章建築作為我對生活環境的觀察,深入探究台灣城市中違章建築所呈現的住屋型態與生活情致樣貌,以居住的意義為前提探討都市人生活的城市空間。嘗試從時代性的物像,透過反覆體驗與實踐,尋找該物像的筆墨表現,使城市違章建築意象轉變為具有水墨意涵的繪畫,以探討水墨繪畫性的建築空間。 全文內容重點說明如下: 第一章為緒論,記述研究動機、範圍與方法。 第二章試從傳統水墨作品及畫論中列舉出屋宇環境與空間的關係,探討樓台亭閣的人文意涵,及現實生活對於居住空間的改變。 第三章藉由現今違章建築樣貌,探究所造就的社會景觀與居住人的心理現象,藉建築外觀的視覺樣態透過心象轉化,成為繪畫形式的表現,進而探討城市空間與水墨創作的結合。 第四章陳述城市違章建築的水墨創作思維,探討造形發展、美感經驗、技法與材料上的運用,以達到水墨繪畫性的呈現。 第五章為作品解說,透過此階段擇選出的六件作品,敘述此一主題發展過程中的想法,分為作畫動機、造形構思、作畫過程、呈現方式四個部分陳述。 第六章結論,總結個人對於水墨創作的觀感、創作之路的思索,並為此階段創作總結。
Summary The architectural objects and appearance represent the characteristic and the living standard of a city, which are often the most distinctive and recognizable substances. Through the translation of culture, the evolution process of building constructions defines the transformation of space. By exploring the existence and significance of the space from life experience, the spatial attributes of the physical environment are converted into conceptual images as the resource of creation. In this article, I have used the metropolitan unlicensed buildings as my observation of the current living environment in Taiwan and as my research of the relationship between the life style and the living space. With the repetitive experience and practice, I have developed the methodologies to illustrate and express the physical components of the architectural space in the ink painting compositions. Chapter 1: Purpose and Research Methodologies Chapter 2: Traditional Ink Painting vs. Transition of living space – discusses transition of current living environment and significance of buildings. Chapter 3: Metropolitan Unlicensed Buildings vs. Living Space – transforms visual appearance of buildings into conceptual images of ink painting. Chapter 4: Techniques and Material – illustrates process and development of metropolitan unlicensed buildings in achieving ink painting formation. Chapter 5: Compositions - describes and discusses purpose, concept, process, and demonstration. Chapter 6: Conclusion – thoughts on ink painting composition.