「情絮•意象•油彩」永恆的凝結~邱譯緯創作研究~

繪畫是一種心靈意象的呈現。本次創作主要在探討心靈情感印記，透過繪畫語言呈現懷念意象。我們對於青蔥歲月往往有許多美好的記憶，隨光陰潛行綿延於主體中而生發情感，產生意象，形成懷念，也因此，而激發出許多創作的靈感。「情絮•意象•油彩」永恆的凝結為本次研究的主題，主要在探討青蔥時期青澀真愛，第一章主要在說明此創作的研究動機、目的、範圍及方法。第二章進行文獻探討，探索意識流的藝術表現手法、花語物象表徵、印象派藝術風格。第三章說明創作思維，從韶光再現與懷念意象、理念的形成、主題文脈選擇與內涵要求，最後再到形與色騷動的藝術油彩。第四章說明創作風格與方法，作一系列圖像探討。第五章懷念系列作品解析，創作內涵與形式。第六章結論，作此創作研究的總討論，未來的創作方向及展望。繪畫創作中有一件重要的事，即是意象。「意」，即主觀情意；「像」，是視覺形象，而此兩者必須並蒂結合，這樣才能將此二者和諧的展現出來，以達到我們想表達的目的。藝術表現是一種心靈化的表現，將心裡所想的，透過藝術構思及藝術意象轉化為藝術符號，並以予「跡化」，即成為具體可感的藝術形象。油畫創作是一種蘊感的呈現，藉由藝術油彩質性，透過繪畫形式表現出不同形態呈顯意象，而讓創作者的意念得以傳達出去。此時，描繪對我而言，成為象徵永恆的凝結過程，同時，繪畫的肢體操作也成為時間保存的實踐，這也是本次創作的主題。

關鍵字

情感；意象；藝術油彩；永恆；凝結

並列摘要

Painting is an emergence from one of mind images. The main purpose of this creative work is to probe into an impression on mind sentiment. It appears with remembrance image expressed by painting language. We usually have a good remembrance on our past years. This continuously hides into the main body as the time passes and hence has the emotion, produces the image and forms a remembrance. Owing to these, we then can be inspired to have a lot of creative inspirations. This study chooses “Sentiment, Image and Greasepaint”, an eternal congealment, as the topic and mainly investigates the earliest true love during the youth. For achieving this goal, the first chapter introduces the research motivation, purposes, range of study and method. Chapter II goes on literature study, including art expression means of the consciousness stream, surface features of colored language & physical image, and artistic style of the impressionist school. Chapter III delineates the process of creation thought, beginning with springtime reappearance & remembrance image, then to idea formation, to the choice of subject arrangement & connotation request, and finally to artistic greasepaint deriving from the tumult between the shape and the color. Chapter IV describes creation style and method by a series of pictures. Chapter V analyzes a series of remembrance works, inclusive of creation connotation and form. Chapter VI makes a conclusion on creation research and meanwhile describes creation direction for the future and future expectation. One of the most important things in painting creation is “image.” “Meaning” is another kind of subjective cordiality. “Picture” is a kind of visual image. For achieving the purpose of what the creator would like to express, these two components have to link up together and then show up in a harmonious state. Artistic performance is a kind of spiritualization performance. We can transform what we think in our mind expressing through artistic idea and artistic image into artistic mark and then it can be a kind of concrete artistic image. Oil painting creation presents a kind of implication feeling, expressing through the nature of artistic greasepaint and different painting form and then let the idea of the creator can be transmitted to the public. Now, it is the painting for me that turns out to be a congealment process of eternal symbol. At the same time, body operation of the painting becomes a practice of time preservation. This is also the topic of this creation.