法外之法—意象水墨之創作研究

Another painting Technique： A Study of the Creation of Image Ink Painting

張永俅(Yung-chiu Chang)

指導教授 ： 張權

長榮大學/人文社會學院/視覺藝術研究所/碩士(2006年)

摘要

本創作研究旨在探討經由歷代傳統水墨之外另一表徵的啟發，如何運用到筆者「法外之法」意象水墨創作上。藉由文獻的探討、理論的建構及個人的創作實踐，期能將現實的洪流銜接至過去，與傳統緊緊相連、又緊緊糾葛，彼此找到重生的可能。進而去思考並運用到筆者自我意象水墨創作上，修正並完成本階段之水墨創作研究。
本論文共分為五章，重點概述如下：
第一章為緒論，分別為研究動機與目的、研究方法與範圍，分析闡述本研究的重點與未來的發展。期能藉由唐、五代以至現代，逸品繪畫形式與特色的演進，在當代主流畫風的侷限裡，如何發展至今的水墨風貌，整理出一條理論與實踐兼顧的創作思維。
第二章在創作理論的建構上，主要是運用文獻探討法，將背景分析並窮究其學理基礎，以提供筆者對先哲的思想理念及人類文化遺產具體瞭解的機會。接著從文獻資料中，探討我國繪畫是如何提昇成為一種美學的思維。本章節藉由逸品畫風的開展與確立，延續到近代意象水墨之探討。內容涵蓋哲學、美學的思辯與中西融合藝術之觀點。將時空背景作一仔細的分析，尋找出相關的理論基礎來解析並建構個人的創作理念。
第三章在創作理念與實踐上涵括三方面：一、「法外之法的思維與脈絡」；二、「視覺意象之運用與開拓」；三、「自用我法之創作與反思」。在創作實踐上與個人創作經驗相結合，以較寬廣的創作方法傳達於自我意象水墨作品中，去思考如何能在解構自然之後，使自然再現。以開拓視覺意象表現的深度與廣度，為筆者自己探索出內在的創作本質。
第四章則為創作品之實踐與解析，詳述筆者創作學習歷程及研究期間創作風貌的總體分析，並挑選《溪石幽探》等七幅意象水墨代表作品，依序說明內容形式、創作理念、學理基礎、材料技法及整體表現等五個層面，詮釋並驗證提升作品內涵，最後整理出一條更為寬廣的藝術創作之路。
第五章為結論與省思。筆者期許自己在未來的創作上，必須在法外求得自我之法，跳脫、離開既有的模式，於「法度外，求取逸趣」，表現出個人作品的「意外之意」，以追求暇逸的心靈狀態，並創作出屬於個人之內心意象的作品。
綜前所述，藉由前人留下來的文化資產之啟發，清晰的瞭解自我的創作思維，更成熟的經營佈局以及更敏銳地操控媒材。在未來創作發展方向上，無論在理論研究或是創作實踐之形式上，提出三項省思：一、包容多元創作觀，二、探討新媒材與技法，三、廣拓創作內涵。筆者於本次創作研究與實踐中，歸納出下列幾項收穫及後續創作研究發展方向：
一、藉由傳統水墨之外的另一「逸品」表現風格，體現出有畫理而無定法的表現方式，並強化個人作品的藝術性，形成自我的創作語彙，完成此階段的繪畫創作。
二、在創作題材的開拓過程中，跳脫個人習慣性的表現形式、技法及媒材的窠臼，化為創作上的挑戰，並以個人對自然不同的體會與感受，發現新的美感形式，創作出屬於個人面貌的作品。
三、經過此階段的創作實踐過程，藉物我融合的心境，培養出一顆屬於現代具有包容、開放與寬廣的心來從事創作。多方汲取繪畫經驗，不斷的試煉，從傳統中邁向新的境界，如此筆者才能擁有真正自我表現的空間，提升個人創作品質。

關鍵字

法外之法 ； 逸品 ； 意象

並列摘要

The purpose of this research is to explore traditional ink painting and create a new painting technique: the creation of Image Ink Painting. Through the exploration of literature, construction of theory, and practice of personal creation, this research will discuss how the “I-pin” painting style can develop to the ink painting stage under the limitations of the contemporary age while interdependent with the past to find a new creation method. The result will be applied to the creation of Image Ink Painting and be amended to finish the research of ink painting at the stage.
This dissertation is divided into five chapters:
The first chapter introduces the aim and methods of the research, which explores the focuses and future development of this research. With the progress of “I-pin” painting style and its characters from Tang Dynasty to present, the research discusses how it can develop to the ink painting stage under the limitations of the contemporary age as well as is expected to organize a creative thinking, which combines theory and practice, for the “I-pin” painting style
Chapter Two focuses on the construction of creation theory in order to analyze the background and to discover related theories. It is expected to provide an opportunity for people to understand the creation ideas left by the ancient. From the literature review, the research is going to discuss how the painting style in our country can be promoted to be esthetics thinking. With the exploration of “I-pin” painting style, this chapter will future discuss the recent image ink painting style and the content will cover philosophy, critical thinking of esthetics, and combing the art points from both eastern and western. The analyzed background will be used to construct personal creation ideas and to discover related theories.
Chapter Three includes three aspects of the practice and idea of the creation: (1) The consequence and thinking of another painting technique, (2) the exploration and use of visual imagery, and (3) the re-thinking and creation of self-creating technique. Through the combination of the practice creation with personal experience, the research expresses a self-image ink painting in a boarder method, thinks how to re-construct the nature, and releases the natural of life with the usage of various painting skills. This research is expected to raise the painting style to a higher level, to explore the depth and broad of visual image performance, and to discover the inner creation nature of the researcher.
Chapter Four is the practice and the analysis of the original creation which detailed the creation and learning process as well as the analysis the projects which created during the graduation learning stage. The paintings of “hsi-shih-tan-yu” and other six image ink paintings were selected to introduce their content & style, creation ideas, theories, materials & techniques, and overall performance. These paintings will be interpreted and further to find out a broaden way for art creation.
Chapter Five provides conclusion and summary. I expect myself will get rid of traditional creating concepts in the future as well as pursuing a higher level performance in expressing the truly feeling.
In conclusion, this research is expected to have a clear creation thinking with the inspiration of the cultural assets left by the ancient Chinese, and can mutually organize the art creation as well as precisely using the materials. From both theoretical and practical points, the research provides three suggestions for future creation: (1) multiple creation points, (2) exploring new materials and techniques, and (3) expending the creation contents. From this research, it can be summarized and offering suggestions for future research based on the finding as follow:
1. The painting creation at this stage is finished with the performance of another new painting technique for “I-pin” painting style. This creation presents not only the strength of personal creation but also form a self-creation style.
2. During the process of exploring the creation topics, this research had got rid of the traditional performance style, technique, and topics. This is a challenge for creation as well as to find a new esthetic through the individual experience to create the work with personal style.
3. After the practice of creation at this stage, through the combination of the creator and the created materials, it is expected to develop a modern and open-mind creation attitude. With different trying experience, the creation work shall forward to a new stage; and thus, the researcher will have a truly free space for promoting the quality of personal creation work.

並列關鍵字

Another Painting Technique ； I-pin ； Image

參考文獻

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