老弱族群水墨人物畫的創作研究

Study of the Ink Figure Paintings of Elderly and Disadvantaged Groups

馬育文(Yu-Wen Ma)

指導教授 ： 張權

長榮大學/人文社會學院/美術系(所)/碩士(2013年)

https://doi.org/10.6833/CJCU.2013.00125

摘要

人物畫在中國的各種繪畫題材中，發展最早，成就卓著。近幾年台灣已邁入高齡化社會，使得人口老化快速的成長，讓筆者思及高齡化族群的退休與勞動及弱勢團體的生活型態與心境，因此對水墨人物畫創作中的老弱族群之神態特徵表現，為本創作研究的重點。
本創作研究以「老弱族群水墨人物畫的創作研究」為主題論述：
首先將針對台灣社會老弱族群的生活型態之相關議題，以不同角度作切入並探究及省思。其次以文獻探討法、田野調查法、創作實驗法，再以中國水墨人物畫之美學觀，建立個人創作的美學系統與觀念。進而將中國古今有關老弱族群的水墨人物之圖像分析，從東晉．顧愷之的「以形寫神」、「遷想妙得」的主客觀表現來探究、揣摩。再者陳述受「神愛世人」、「博愛」的精神之啟發，希能透過上述的學理基礎對於本創作研究有所助益與發揚。依據老弱族群的勞動、休閒活動，並融入筆者的主觀感情。技法則以「兼工帶寫」來表現老弱族群的各種生活型態與心境。更期盼老弱族群的問題能夠得到社會與政府相關單位重視與關心。

關鍵字

老弱族群 ； 水墨畫 ； 人物畫

並列摘要

Among the various themes of Chinese ink painting, figure paintings were the earliest to develop and have shown outstanding achievements. Taiwan has entered into the aging society in recent years. The rapid growth of aging population has led the author to think about the retirement and labor of elderly groups as well as the lifestyles and mental states of disadvantaged groups. This creative research therefore focuses on the representations of the demeanor and characteristics of elderly and disadvantaged groups in ink figure paintings.
This creative research elaborates around the topic of “Study of the Ink Figure Paintings of Elderly and Disadvantaged Groups”:
First, I explore and reflect on the issues related to the lifestyles of elderly and disadvantaged groups in Taiwanese society from various angles. Secondly, through literature analysis, field survey and creative experimentation, I further establish my own esthetic system and concepts of creativity based on the esthetics of Chinese ink figure paintings. Then I analyze the images in the ink figure paintings of elderly and disadvantaged groups in ancient as well as modern China, exploring and fathoming these images from both the subjective and objective expressions of Gu Kai-zhi’s ideas of “using the shape to depict the spirit” and “thinking out of box” in Eastern Jin Dynasty. Furthermore, I account for the ways in which these figure paintings were inspired by the spirits of “God so loved the world” and “universal love,” hoping to enhance and carry forward this creative research through the aforementioned theoretical basis. I have followed elderly and disadvantaged groups’ labor and recreation, and have incorporated my subjective feelings as well. The technique employed to represent the various lifestyles and mental states of elderly and disadvantaged groups is the “half-free and half-detailed style”. I hope the issues related to elderly and disadvantage groups will be taken seriously by our society and government agencies.

並列關鍵字

elderly and disadvantaged groups ； ink paintings ； figure paintings

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