內心幻象的觀照－生命深層的心靈狀態
――杜建旻創作論述

創作的歷程有時就像探索內心的旅程。現象知識與物質本身是如此吸引著我們、誘惑著我們，但人生的真理何在？心靈深層的本質為何？是我繪畫思考一路走來一直所探求關注的焦點。繪畫、生活、藝術、生命之間有何關聯，畫面如何呈現內心所感知的一切？有鑑於此，本創作研究論述重點在於探討藝術對生命深層的心靈關注，以視覺圖像之表現語彙來關聯生命現象的紛亂、物化議題，反映當代環境、道德觀、人性、社會……等。本研究論述是以「藝術是心靈外顯的部分」為研究出發點，「超越外物的觀照」為研究探求之核心。在第一章的緒論中，分別說明了本創作研究論述的動機與目的、方法與研究範圍。第二章為學理基礎，在探討創作的心理歷程及說明藝術是心靈外顯的部分，研究內容包含想像、意識、潛意識及意識與潛意識之間的關係，再藉助美學、心理學以及超現實主義的基本理論對照作品加以說明之。第三章為創作理念，以東方哲學與西方哲學對心靈本質的觀照等課題來作為筆者創作理念中所要呈現的想法。其探討的範圍是以東方哲學的老莊思想對心靈的關照與西方哲學的直覺及身體感知方式去洞察及體會內心世界的變化。在第二、三章中，筆者已將創作精神與創作理念進行探討，第四章將重點聚焦在「創作實踐與表現形式的探究」，分別從張力結構、個人創作實踐的步驟來做進一步的探討與分析。第五章為創作作品之發展脈絡與分析，分別從2003至2006年期間所發展三個系列作品中，去探析作品之間的互動與創作歷程中的想法與發展，並分析各時期的創作源由，將其中共同演變流動的過程一圖表來做詳盡說明，逐步釐清自我創作作品之發展脈絡。最後第六章為本論述結論，並展望未來創作發展的可能。

關鍵字

想像；直覺；身體知覺

並列摘要

Sometimes the creation process is just like a journey to explore inner soul. The knowledge of phenomena and substances are so attractive and tempting to us, but what is the truth of life? And what is the nature of the deep of soul? These questions have been the focus of attention that I want to explore in my way of contemplation for painting. What is the relevance between painting, art and life? How does the picture reflect all perceptions of soul? In light of these questions, this thesis focuses on the art’s attention to soul deeply rooted in life and attempts to relate complex and materialized subjects of life phenomena using expressions of visual images to reflect the contemporary environment, ethics, humanity and society, etc…This paper takes “art is part of the outward appearances of soul” as a starting point for study, and centers on “reflection that surpasses external substances” for exploration. In the Introduction of Chapter One, the author explains on the motives and objectives, methodology and research scope of this study. Chapter Two deals with the theoretical basis, explores the psychological process of creation and interprets why art is part of the outward appearances of soul; research contents involve imagination, consciousness, subconsciousness and the relationship between consciousness and subconsciousness, which are clarified using basic theories of esthetics, psychology and surrealism with reference to art works. Chapter Three elaborates the creative concepts, where the author bases his subject on reflection on nature of soul in Oriental and Occidental philosophies to display his ideas of creative concepts. In this chapter, the research range is to use reflection on soul in the Thought of Lao-Tse and, Chung Chou in Oriental philosophy and intuition and ways of sense in Occidental philosophy to gain an insight into and experience changes of the inner soul. Since in Chapters Two and Three, the creative spirit and creative concepts are discussed, the author will focus on “study on creative practice and its manifestation”. The author will conduct further study and analysis from the perspectives of tensile structure and personal creative practice respectively. Chapter Five deals with development and analysis of art works, in which the author selects art works of three series created from 2003 to 2006 to explore and analyze correlation of these works and ideas and developments in the process of creation. Further the author will analyze the cause of creation in different periods, and draws a process chart of common evolution and flow to explain the cause in detail, so as to achieve a clear understanding of development of self-creation works. Finally in Chapter Six is the conclusion of thesis and prospect for creative development in the future.