隨風而逝－洪昕創作論述

本創作論述聚焦於我如何以膠彩繪畫與裝置作品詮釋自己對死亡與微小事物的觀點，解析創作過程、作品元素及理念，並回顧相關之文獻。在平面繪畫作品的部分，我重組日常蒐集的影像資料，作為畫面構想的參考，並融入個人對死亡軀體的憐惜與想呵護的情感。此外，我也延伸出將畫面局部留白的方式，以白色象徵死亡再回歸於新生的想像，期望藉此將一般面對死亡的哀傷和消極感，轉換為重啟生命迴圈與醞釀生機的開端。裝置作品的部分，則是透過具有殘骸與碎片意涵的乾枯葉脈製作，將我對於軀殼的意象聯想視覺化，也以作品架構的可重組性對應生命重構的可能性。本論述分為五個篇章，第一章〈緒論〉，包含本論文的研究動機與目的、研究方法與內容，說明創作感性緣起於保存將逝之物的渴望。第二章〈創作思維拓樸〉，析理我作品中的共通元素，並透過文學及藝術的相關學理脈絡進行分析，探討相關藝術家如何將傷逝情感轉譯為作品，及他們作品給予我的啟迪。第三章〈創作理念與方法〉，闡明我的創作題材篩選機制、累積速寫對於構圖靈感來源的重要性。說明我研究所階段作品的製作程序，與裝置作品呈現方式上的考量，以及創作手法如何詮釋作品理念。第四章〈作品分析〉，按作品依循的題材與理念分為三個系列，細述創作中思維脈絡如何化為視覺展現，並分析創作歷程上的轉變和關聯。第五章〈結論〉歸納本論述的研究價值與結論，並期許未來的創作之路，持續將當前的階段性成果拓展至更深遠的方向。

關鍵字

膠彩；裝置藝術；傷逝；微小事物；殘骸

並列摘要

This thesis focuses on how I interpret my standpoint toward withering and unnoticeable things by the means of eastern gouache and installation artwork. Furthermore, this writing is analyzing my creating process, elements and ideas of my works, also reviewing several artworks with related ideas. In my eastern gouache works, I reassemble my daily-collected image files and my emotions to cherish the wreckage as references to my notional diagrams. In addition, I cast my concept of the newborn upon death on the left blank spaces, as well as attempt to transform the common grief and negative feelings with death into a start of regeneration and the circle of life by this means. In my installation artworks, I visualize my association for the carcass via creating with withered veins of leaves, which imply wreckage and remains. The reassemblity of my installation artworks also signifies the possibility of reconstruction of lives. This thesis is composed of five chapters as follows: Chapter 1, Introduction, indicates research motivation, purposes, study methods, and elucidate my inspiration from the long for preserving the withering things. Chapter 2, Topology of Creation, analyzes the similar elements between my works and other creators’. My writing here observes how creators interpret mournful loss in works from the perspective of literature and how their works inspired me. Chapter 3, Creative Concept and Methods, illustrates my choice for subject matters, and the importance of the daily-accumulated sketches to composition ideas. Here I also expounds the creating procedures during my graduate degree, the considerations on how installation art displayed and the way my creating methods carry out the creative concept. Chapter 4, Work Analysis, divides works into three series with their respective subject matters and concepts, elaborates how I visualized my thoughts in works, and analyzes the changes and links in my creating process. Chapter 5, Conclusion, summarizes the study value of this thesis and concludes. On the basis of current results, I expect my works will continuously expand in a profound way in the future.