透過您的圖書館登入
IP:13.58.112.1
  • 學位論文

三峽的場所精神之研究以李梅樹繪畫為例

A Study of the Genius Loci of San-hsia Township in the Li Mi-shu Paintings

指導教授 : 陳其澎

摘要


從清朝時的河運起始,到日治時的繁華;從光復後的沒落,再到轉型觀光區後的興盛,三峽這個山明水秀、人文薈萃的地方不斷改變其定位,卻也因為人事物的更替,逐漸失去了對於這塊土地的情感和回憶。李梅樹一生以三峽為主題所繪之畫作無數,為探究三峽場所精神之絕佳依據,因此本研究希望能透過李梅樹的畫作,保存或發揚三峽之場所精神,具體之目的有三項:1. 提出在地觀察後的描述,保存三峽歷史的紀錄;2. 將李梅樹的畫作與三峽現況做比對,了解其畫作中的意境;3. 以李梅樹畫作基礎,探求三峽場所精神之所在。本研究先以文獻分析法來探討三峽、場所精神、李梅樹等三個方向的資料,以建構出研究架構;再以觀察法來蒐集三峽的現況資料;最後以訪談法與當地資深居民對話,進而了解三峽的歷史景物以及居民心中的場所精神變遷。本研究將三峽場所精神之探究分為1. 身體活動場域 2. 民俗文化 3. 城鎮風貌等三個方面,各自對應不同的李梅樹畫作中之場景,以及不同的場所精神面相。最後將整合場所精神之探究結果,推導出三峽文化空間的保存與再現方式,希望能將三峽的歷史文化和場所精神繼續傳承下去。

並列摘要


Started from river shipment in Chin dynasty, to the prosperity during Japan’s rule; declined after taking over by Kuomintang, and then revival because of the transformation to tourist region, San-shia gradually loses its spirit and memories. Li Mi-Shu painted numerous paintings about San-shia, and these paintings had become best materials studying genius loci of San-shia. That’s why this study tried to preserve genius loci of San-shia through Li Mi-Shu’s paintings. Here are specific purposes about this study: 1. Observe locally and preserve histories of San-shia. 2. Comparing current features to Li Mi-Shu’s paintings and understanding the meaning of these paintings. 3. Find out genius loci of San-shia. This study construct it organization by documentary Analysis at first, in three ways which is San-shia, genius loci, and Li Mi-Shu; Collect current data by both objective and participant observation; And then understanding histories and genius loci of San-shia by interviewing senior local residents. This study divide the exploration of genius loci of San-shia in three ways: 1. physical activities places; 2. Folk cultures; 3. Township features, each of them corresponds different subjects in Li Mi-Shu’s painting. Finally we try to deduce means to preserve and reveal spirit of San-shia by integrating results above, and hoping cultures, memories, and genius loci of San-shia can last forever.

參考文獻


陳其澎(2009)《八德霄裡水與綠文化廊道95~98年成果專輯》,桃園:桃園縣政府文化局。
陳其澎(2011)《身體與空間》,台北:暢通文化。
陳其澎(2010)《生活空間中身體與物體互動關係之探究》,設計學研究,13卷1期,pp.1-24。
喻蓉蓉(2001)《畫家以外的李梅樹─熱心公益從政生涯》,歷史月刊,12月號,pp.22-30。
喻蓉蓉(2002)《畫家以外的李梅樹─三峽祖師廟重建的靈魂人物》,歷史月刊,3月號,pp.4-12。

被引用紀錄


陳禹璇(2018)。中正紀念堂場所精神之研究〔碩士論文,中原大學〕。華藝線上圖書館。https://doi.org/10.6840/cycu201800083
羅淑芬(2010)。銀離子敷料應用於癌症惡性蕈狀傷口病人傷口床狀況及健康相關生活品質之成效〔博士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2010.01399

延伸閱讀