妝點空間的精靈─彩色鑲嵌玻璃在台灣發展之研究

The Decorated Space Fairy The Research of Stained Glass Development in Taiwan

王亮統(Liang-Tung Wang)

指導教授 ： 黃位政

中原大學/設計學院/室內設計學系/碩士(2006年)

https://doi.org/10.6840/CYCU.2006.00379

摘要

摘要
彩色鑲嵌玻璃是為室內空間中藝術化的重要元素。因此本研究以影響室內空間之四元素，引出研究議題「彩色鑲嵌玻璃」作為探討對象。並從最早使用彩色鑲嵌玻璃的哥德教堂作為基礎研究，進而邁入另一高峰時期「新藝術運動」階段，藉由此項藝術的大放異彩，使當時正逢明治維新運動的日本將之引入台灣，讓台灣得以接觸這樣的藝術瑰寶，並使得近代台灣，不論是教堂建築抑或日治時期之官廳、公共建築物，皆融入這項藝術元素。

本論文之內容分述如下：
第一章緒論：主要論述本研究之動機及目的、研究範圍內容與方法，再以流程圖簡述本研究之架構與研究方向。
第二章室內空間之藝術元素：主要論述藝術與室內設計之源起，並產生了空間與藝術產物結合之四要素，因此本研究以四要素之一的彩色鑲嵌玻璃作為研究對象。
第三章西方彩色鑲嵌玻璃之發展：主要論述彩色鑲嵌玻璃的發源，是由西方哥德時期開始，並到了新藝術運動時期，又再將彩色鑲嵌玻璃推向另一高峰，這也頓時使這項元素，逐漸在國際的舞台大放異彩、嶄露頭角。
第四章台灣彩色鑲嵌玻璃之發展：主要論述日治時期，日人將彩色鑲嵌玻璃引入台灣，直到了60年代更有製作技術的發展，並到了1992年國內文化藝術獎助條例的頒布，使彩色鑲嵌玻璃更與公共藝術結合，整個過程成為了彩色鑲嵌玻璃在台灣的歷程演變。
第五章結論與建議：主要論述本研究最後的具體成果，並提供相關建議提供日後學術參考之用。

關鍵字

彩色鑲嵌玻璃、哥德藝術、新藝術運動、日治時期、公共藝術

並列摘要

The Stained Glass is an important element to the interior space, and this research would treat the subject, Stained Glass, as the theme for discussion by the four elements that influence the interior space.

It also treated the churches in the Goethe Age that the earliest one applied the Stained Glass as the basic research to go through the peak time, the Art Decoration Age.

This unusually brilliant result was led into Taiwan through Japan during the Ming-Zhi Reformation Age, and this art rarity was applied to the buildings of modern Taiwan, such as the churches, the government buildings, and the public buildings.

The contents of this dissertation are as follows,
1. Chapter 1, The Exordium. The description about motivation, purpose, field, and method of this research, and the frame and direction brief of this research by flowcharts.
2. Chapter 2, The Art Element of Space. The description about the source of art and interior design, and four elements that combine the space and art; one of the four elements, Stained Glass, was treated as the study object.
3. Chapter 3, The Development of Stained Glass in the west. The description about the source of Stained Glass from the Goethe age to Art Decoration Age, and the peak time of Stained Glass. This element made the Stained Glass to yield unusually brilliant results, and to earn its own reputation in the world.
4. Chapter 4, The Development of Taiwan Stained Glass. The description about the Stained Glass; it was led to Taiwan through Japanese during the reign of Japan, and the manufacture technology was developed superiorly in 60th years. It was subsumed to one of the culture art prize in 1992 of Taiwan, and combined the Stained Glass and the public art; this process became the progress evolvement of Stained Glass in Taiwan.
5. Chapter 5, Conclusion and Suggestion. The description about the final concrete effort of this research, and the relative suggestion for the academic reference in the future.

並列關鍵字

Goethe Art ； Stained Glass ； Art Decoration Age ； Public Art ； The Reign of Japan

參考文獻

洪致文 2005《自由時報》：台北

楊憶婷 2003《室內設計之完形心理視覺構成架構研究》：中原碩論

Nikolaus Pensner1998《現代建築與設計之起源》地景企業股份有限公司：台北

黃位政 2005《一件公共藝術的誕生 作品遠渡與新生之側記》農委會動植物防疫檢疫局：台北

楊玉富 1997《行政院國科會專題研究計畫成果報告書》視覺傳達與室內設計的設計資源：雲科