以場所精神觀察台灣文化景觀之演變
研究-以台北市〝城內〞為例說明

台北城內區在清朝後，成為新都市中心，並也成為眾多投資者眼中的開發地帶。台北城內在日治時代不斷的迅速變遷。故本研究以場所精神作為基礎的角度下探討台北城內文化景觀之演變，真實/看不見/再現之空間意涵，因而逐漸成為人們使用城市的社會選擇。如果不是因論文的城內漫遊，連走到中山堂都只是路過，遑論去體驗及研究文化景觀的變遷。平常偶而瞄它一下，即使有些眼花撩亂，卻也不覺得有何可以留戀之處，城市的姿態，多半是木然的，一種冷峻而尖刻的距離，能夠很樸素的去按一個自己成長的地方，而不必經過任何比較與反省。至於把一座城市，當作一個有生命的東西去看待，尤其是困難的。如果說空間有紋理,應是由零碎所累積而成的主體性,在街巷裡遊走,透過凝視及信手撿拾、採集空間與時間的「某個片段」,閱讀並觸摸空間的粗糙表面，及那未曾被言說的故事。

關鍵字

場所精神、文化景觀、漫遊者、演變

並列摘要

Inner Taipei city had became the new center and investors' target after Chin dynasty. Inner Taipei changes rapidly under Japan's rule, and that's why this study tried to explore the scenes' change in the inner Taipei city by genius loci. True /unseen/revealed means of space became social options using city spaces. It will never happen to me about experiencing and studying the changing cultural scenes without this study. Occasional glimpse never make me want to stay while cities are always cold and distance. It's especially hard to take cities as living creatures. Said that spaces have their textures, and gathered from fragments. Wondering on the streets, picking up things, looking at the pictures, collecting fragments of spaces and time, touching rough surfaces, and telling stories that never be told, are all involved in it.