古典音樂表演者的身體及其自我認同形構之研究---以Pierre Bourdieu場域理論觀點

A Study on Classical Music Performers’ Body and Self-Identity ---A Perspective of Pierre Bourdieu’s Field Theory

謝佩珊(Pei-Shan, Hsieh)

指導教授 ： 徐敏雄

國立暨南國際大學/教育學院/終身學習與人力資源發展碩士學位學程碩士在職專班/碩士(2015年)

https://doi.org/10.6837/NCNU.2015.00160

摘要

本研究以敘說探究的研究方法，訪談兩位曾接受台灣古典音樂專才教育，且目前仍持續登台演出的表演者；並以Bourdieu場域理論，論析研究參與者的音樂發展歷程，藉以瞭解古典音樂場域的運作特性、場域對古典音樂表演者的身體發展與實踐之影響，以及表演者的身體與其認同形構之關連。
本研究發現，古典音樂場域對不同世代、不同行動者的生涯階段和職務取得與佔據等各方面，皆有影響性；另一方面，也因為古典音樂場域中的行動者不斷地操作特有的慣習和資本運作模式，使場域既有的規則和資源配置方式持續被複製著，甚至形成菁英階層與庶民大眾之間的文化高牆。然而，由於古典音樂表演者的認同經常來自多元面向，行動者若能具有反思能力，便有可能在一定程度上扭轉局勢、重新建構新的自我認同。就此來看，古典音樂表演者所處的場域特徵，與其身體與認同之間存在著雙向影響關係，其認同形構會隨著身體思維與身體實踐的改變而持續變動。
最後，依據上述研究發現，本研究對相關決策機構、古典音樂教育現場、古典音樂表演者，以及為來相關研究等提出建議。

關鍵字

古典音樂表演者 ； 場域 ； 身體 ； 認同

並列摘要

This thesis applies Bourdieu’s field theory to analyze participants’ narratives about their development in the music field. The researcher interviewed two musicians who had received classical music education in Taiwan and hence are still active in performance as well as other music related activities. The musicians’ narratives provide us better understanding of the operational characteristics in the classical music field, the influences on classical music performers’ bodies and their practices, and the relationship between performers’ bodies and their self-identities.
In this study, we find that the classical music field has had an impact on different generations, development stages, and employment. In addition, because the actors in the classical music field continue to operate in specific habitus and a certain capital operation model, the existing field rules and resource allocation continue to be replicated, and even cause a huge culture gap between those well-educated in classical music and the general public. However, classical music performers’ recognition often comes from pluralism; therefore, if actors have the ability to introspect, it is possible to reverse the situation to certain extents and reform new self-identities. Based on this point of view, the interrelations between the field characteristics of classical music performers and their bodies as well as self-identities influence each other; therefore, their identified configurations will have continued changes as their minds and bodies practice vary.
In conclusion, our study is aimed at providing beneficial suggestions for our governments, classical music institutes, performers as well as future related studies.

並列關鍵字

classical music performers ； field ； body ； identity

參考文獻

一、 中文文獻

1. 王志宏、許妍飛（譯）（2006）。社會認同（原作者Richard Jenkins）。台北市：巨

流。（原著出版年：1997）

2. 王勇智、鄧明宇（譯）（2003）。敘說分析（原作者：Catherine Kohler Riessman）。

台北市：五南。（原著出版年：1993）