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  • 學位論文

論南管曲門頭(mng-th?u)的概念及其系統

The Concept and System of mng-th?u in Nangun Music

指導教授 : 呂錘寬
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摘要


南管「曲」是臺灣現存的古樂種,目前仍保存了大量曲目。本研究以探討南管「曲」重要術語「門頭」( mng-th?u, tune family )的概念及其系統為基礎,再透過樂曲的實際分析,深入理解南管曲曲調的系統。 「門頭」代表南管「曲」的曲調門類,為一集合性質的名詞,相關的要素包含「管門」( scale, key, mode)、「撩拍」和「牌調」 ( tune )等等,這些術語的習慣性用法與問題,都在筆者進行樂曲分析前先逐一深入討論,並根據南管曲的特色,嘗試為「管門」重新下定義,且將「門頭」的音樂學概念與波斯之dastg?h、阿拉伯maq?m、印度之r?ga比較討論。 本研究結果顯示,南管「曲」的曲調系統以「滾門類」及「曲牌類」兩大系統為最重要,其中,「滾門類」更通過樂曲節拍的變化處理形成龐大的曲調家族。易言之,「門頭」是具有實際意義的曲調系統,而其實體則為類似「主題」(theme)的特性旋律,一般稱為「韻調」或「大韻」;它是南管「曲」中最小、最有意義的樂思,也是南管「曲」曲調門類辨識的符碼。

關鍵字

南管 門頭 管門 滾門 韻調 大韻

並列摘要


Nanguan qu ( nanguan songs ) is a living Chinese ancient music in Taiwan which still preserves a great volume of repertoire. This thesis proposes an analytical methodology to study the concept of mng-th?u ( tune family ), an important terminology of nanguan qu, and its system as the basis to deeply comprehend the tune system of nanguan qu by analyzing practically the composition of nanguan qu. Mng-th?u a collective noun represents tune family of nanguan qu, and the related elements such as guanmen ( scale, key, mode ), liaopai ( meter, rhythm ), qupai ( tune ), and etc., are discussed one by one prior to the analysis of the music. This thesis tries to re-define guanmen based on the characteristics of nanguan qu, and compares the musicological concept of mng-thau with Persian dastg?h, Arabic maq?m, and Indian r?ga. The study concludes that “gunmen series” and “qupai series” are the two most important systems of the tune system of nanguan qu. In particular, the “gunmen series” has become a great family through the rhythmic variation. This means that mng-th?u in practice is the tune system. Its core is similar to a theme, commonly called yunn tiao or ta yunn, which is the smallest but most meaningful music idea of nanguan qu, and is used as code to identify the tune system of nanguan qu.

並列關鍵字

nanquan qu mng-th?u guanmen gunmem ta yunn yunn-tiao

參考文獻


_____。1996-1997。國科會專題研究計畫「南管滾門曲牌分類系統比較研究」(一)。
_____。1997-1998。國科會專題研究計畫「南管滾門曲牌分類系統比較研究」(二)。
_____。1998-1999。國科會專題研究計畫「南管滾門曲牌分類系統比較研究」(三)。
Bruno Nettl. 1964. Theory and Method in Ethnomusicology. London.
Bruno Nettl. 1977. Daramad of Chahargah: A Study in the Performance practice of Persian Music. Detroit, Michigan.

被引用紀錄


楊宜樺(2015)。想像臺灣?臺灣當代音樂創作中的南管〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2015.02477
吳佩熏(2013)。南管樂語、腔調及其體製之探討〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2013.01009
張瓊櫻(2012)。傳統音樂對我創作的啟示〔博士論文,國立臺北藝術大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0014-1502201206553900
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