音樂與空間之對話—以歌劇《密卡多》舞台設計為例

The Stage Design of the Opera《Mikado》：Interaction between Music and Space

馬毓君(MA YU-CHUN)

指導教授 ： 蔡秀錦

國立臺灣師範大學/藝術學院/表演藝術研究所/碩士(2010年)

摘要

本論文以音樂美學為奠基，論及歌劇《密卡多》（The Mikado, 1885）之形塑歷程與價值；其次，以表格方式分析音樂對於空間所引導之設計解構，亦配合走位圖交織於歌劇舞台設計場域內，力求藝術美感的高度知性及經驗。

創作部份則以具象、誇飾暨象徵手法呈現，並將史學觀點及樂曲選粹分析融入設計理念內，是故歌劇舞台設計不只是單純消解熟悉的現實詮釋空間，而是以全盤性之美學思維和學理基礎，衍生其不同層次之風貌。

本文透過音樂與空間之對話，重新建構、實現歌劇《密卡多》之舞台設計，意圖展現其綜合性藝術之特性，始能完整詮釋出其原始精神和經典之處。

關鍵字

歌劇舞台設計 ； 密卡多 ； 沙利文

並列摘要

First, based on the beauty of music, the thesis primarily deals with creating the progression and significance of Mikado. Secondly, the stage deconstruction arranged in a table corroborates the spatial analysis of music, and how characters, scenes and stages are alluded to and interfaced with each other in order to pursue the extradinary esthetic sensibility and experience.

Presentation of portraits, exaggeration, and symbols, and also intergrating the istorical perspective and extracts from the opera into the design concept, the stage design does not simply dissolve the familiar spatial reality but also helps to derive the views of diverse levels founded in overall aesthetic thinking and theory.

Through the interaction of music and space, the stage design of Mikado is reconstructed with the intention to express the distinguishing features of integrated art, so as to demonstrate fundamental and emotional principles of a classic masterpiece.

並列關鍵字

Opera stage design ； Mikado ； Sullivan

參考文獻

黃鳳珠，《浮世繪風景畫表現手法於視覺傳達設計之應用研究－以南瀛八景十勝風景海報為例》，台北：師大碩論，民國94年。

薛雅琦，《伯恩斯坦輕歌劇「憨第德」之音樂素材運用》，台北：師大碩論，民國94年。

Ainger, Michael (2002). Gilbert and Sullivan – A Dual Biography. Oxford: Oxford University Press.

Allen, Reginald; Gale R. D'Luhy (1975a). Sir Arthur Sullivan – Composer & Personage. New York: The Pierpont Morgan Library.

Allen, Reginald (1975b). The First Night Gilbert and Sullivan. London: Chappell & Co. Ltd.