古畫今畫之創作研究

The artistic creation and research of re-painting ancient masterpieces

許甄云(Chen-Yun Shu)

指導教授 ： 王瓊麗

國立臺灣師範大學/藝術學院/美術學系在職進修碩士班/碩士(2011年)

摘要

在訊息變化快速且重視個體差異的時代，每個人觀看經典古畫時，會產生一份自己獨特的觀感:如批判、戲謔、觸動人心等，這時許多正規的形式開始逐漸的被遊戲、休閒娛樂所取代。而挪用經典成了經典是後現代的最佳再現姿態。本文創作理念部分，先從後現代主義的介紹開始，接著提到諧擬、擬像、挪用等概念，還談到從臨摹到再創作的發展脈絡，說明老東西也能有新感動，以及在電子媒體的推波助瀾下來佐證說明挪用經典有理。
而繪畫創作部分，筆者企圖挪用中國古代經典山水畫來重新詮釋，以壓克力的鮮豔色彩及平塗技法再現經典，且不只是單純的風景再現，而是主觀人文風景表達，企圖反映出當代的生活、文化、觀光、消費、價值觀等。看似寫實的畫面，卻是傳達一種當代社會大眾思想觀念的現象與媒介。挪用這種創作方式人人可玩，除了臨摹之外，想對古畫傳達出戲謔、尊重、批判等不同的看法，這都是創作者在創作之前所要思考的問題，並抓緊重點方向來發揮，才能讓「再創作」的作品也很有自己的風格，不會反被古畫牽制住。

關鍵字

挪用經典 ； 諧擬 ； 山水風景

並列摘要

In the era of message rapidly changed and of individuality emphazied, those people who review re-painting ancient masterpieces will have specific feelings such as criticism, banter or impression and so on. Gradually, this formalism is replaced by common custom, like gaming and entertainment. As a result, modification of ancient masterpieces becomes classic in post modernism. In this disertation, the author tries to input the idea starting from introduciton of Post Modernism. Accordingly, several concepts, appropriation, parody, simulation, are menitoned as well as developing trajectory from copy to re-creation. It demonstrates ancient creation is impressed to prove modified classic popular throgh mass media’s highlight.
In portion of painting creation, the author attempts to re-annotate Classic Chinese landscape paintings throguh acrylic colors and general painting skill to show modified classic paintings. Moreover, it demostrates that the painting not only pure landscape but also subjective artificial scenery to reflect contemporary life, culture, tour, consumption and social values and so on. From this similarly realistic painting, it is a media to pass people’s thinking and feeling in mass society. “Modification of ancient masterpieces” can be crated by everyone. However, those people who attempt to create copy of modification of ancient masterpieces shoulde think through from criticism and banter points of view to show individual style so that cretation is not be limited by ancinet masterpieces.

並列關鍵字

appropriation ancient masterpieces ； parody ； Landscapes

參考文獻

Parramon's Editorial Team 著 王留栓譯(1997)。壓克力畫。台北市：三民。

伊哈布‧哈山Ihab Hassan(1992)著 劉象愚譯（1993）。後現代的轉向 後現代理論與文化論文集。台北市：時報文化。

書籍

王岳川（1998）。後現代主義文化研究。台北市：淑馨。

王慶生（1992）。繪畫－東西方文化的衝撞。台北：淑馨。