巴赫清唱劇《我心已滿足》(BWV82a, Ich habe genug) 研究詮釋報告

An Analysis and Interpretation of Bach's Cantata BWV82a "Ich habe genug"

李璧如(Bi-Ru Li)

指導教授 ： 楊艾琳

國立臺灣師範大學/藝術學院/音樂學系/碩士(2012年)

摘要

《我心已滿足》（BWV82a, Ich habe genug）為巴洛克時期德國作曲家巴赫（Johann Sebastian Bach, 1685-1750）獨唱清唱劇作品。是巴赫在1727年為教會年曆中聖母潔淨節（The feast for The Purification）儀式所寫，首演為男低音獨唱版本。此劇在首演之後，巴赫又在1731年改編成女高音的版本，於同一節日中演出，之後又三次改編此部作品。這樣多次改編同一首作品，在巴赫的作品中相當少見。而本論文將探討1731年所編寫的女高音版本。
全文共分成五章：本論文第一章將簡介作者研究動機與背景；第二章以巴洛克時代歷史與人文背景及巴赫生平去探討作曲家所處時代；第三章從清唱劇歷史沿革、巴洛克時清唱劇及德國清唱劇的範疇，試論巴赫各時期創作清唱劇特色與素材來源；第四章則探究《我心已滿足》作品背景，並針對其中五首樂曲內容逐一分析其主題與結構；第五章總結為本論文之研究結果。希望能提供日後欲演唱此作品之歌者詮釋方法，並藉此論文能使國內對於巴赫的清唱劇研究貢獻一己之力。

關鍵字

巴洛克 ； 聖母潔淨節 ； 獨唱清唱劇 ； 巴赫

並列摘要

BWV82a, Ich habe genug was an solo cantata of J. S. Bach, the German composer in Baroque Period. This Cantata was first performed as bass version for The feast for The Purification in1727. Afterward, Bach had recomposed it to soprano version for the same festival, 1731. What is deserved to be mentioned that Bach had yet recomposed this cantata for three more times, which is unusual in his composition. This thesis is going to discuss the soprano version of the cantata, which Bash composed in1731.
The Thesis has five chapters, the first chapter introduces the author’s motivation and research background. The second chapter discusses Bach’s background from aspects of history and culture in Baroque Period. In the third chapter will have a more complete review on Bach’s cantatas’ characteristics and material of different period, and this is an intersection comparison of cantata’s history, Baroque cantata and German cantata. Final chapter as chapter four, the author will go further into < Ich habe genug >’s motivation and background, and analyze the topic and structure of its five songs. Finally the conclusion is met in the fifth chapter. The author expect the thesis could provide a new interpretation method for composers and singers in the future, and further have certain contribution on research of Bach’s cantata.

並列關鍵字

Baroque ； The feast for The Purification ； Solo Cantata ； Bach

參考文獻

劉志明。樂聖綜論。台北：全音，1995。

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Tatlow, Ruth. Bach and the riddle of the number alphabet. Cambridge ; New York : Cambridge University Press, 1991.

Wolff, Christoph. Johann Sebastian Bach : the learned musician. New York : W.W. Norton, 2000.

Manfred F. Bukofzer, Music in the baroque era, from Monteverdi to Bach. New York : W. W. Norton, 1947.