運動美學詮釋─高達美的藝術理論與運動世界之對話

THE HERMENEUTICS OF AESTHETICS OF SPORT--The dialogue between Gadamer’s art theory and sports

黃芳進(Fang-Jing Huang)

指導教授 ： 劉一民

國立臺灣師範大學/運動與休閒學院/體育學系/博士(2006年)

摘要

運動美學詮釋─高達美的藝術理論與運動世界之對話

摘 要

本研究是以高達美的視域融合為進路，並以其藝術理論為理論基礎，與運動世界進行對話，進而形構運動美學的文本。經過不斷地詮釋之後，提出本研究的 三項結論如下：
一、以遊戲概念切入進行運動競賽存有的理解發現，運動競賽本身即為主體，並具有嚴肅性與自我表現。此外，運動競賽亦是一種身體性、比賽性與時間性的存有，其中身體性與比賽性乃是開顯運動審美經驗的重要元素之一。
二、運動審美經驗乃是運動者與運動情境玩遊戲，以及觀眾與運動競賽玩遊戲所產生的經驗。它是一種複雜、多面向、混沌、矇矓、重疊、糾纏、深刻與雋永的經驗，而且具有：由主體意識回至主客互融的整體經驗；由瞬間的體驗回至時間性的經驗；從抽象的意識回至具體的經驗；以及從客觀的標準回至開放性的經驗等特性。
三、整體而言，運動美學的詮釋學意義，在於理解運動競賽與其存在世界的關係。運動競賽除了要表現出原型的意義外，還具有模仿與象徵的意義，模仿可以讓我們更真實地認識它，象徵則可以更完整地認識它。此外，運動競賽乃在時間與空間的貫穿下形成整體的意義，而且它與人在共戲中所產生的共戲經驗，會讓人對它愛不釋手。在理解運動美學的內涵後，可進一步確立運動美學可成為一門詮釋學的論點。

關鍵字

運動美學 ； 詮釋學 ； 高達美 ； 藝術經驗 ； 審美經驗

並列摘要

THE HERMENEUTICS OF AESTHETICS OF SPORT
--The dialogue between Gadamer’s art theory and sports

Abstract

This research adopts Gadamer’s fusion of horizon approach and bases on his art theory to create a dialogue with sports and to produce the aesthetics of sport. Three conclusions are reached after continuously hermeneutic works：
1. To analyze the existence of sport competition by play concept, it is found that the sport competition itself is the subject and features seriousnesss and self-presentation. In addition, sport competition contains embodiment, contest and temporality. Among them, embodiment and contest are two important elements of aesthetic experience of sport.
2. Aesthetic experience of sport is obtained by athletes’ playing with sporting situation and audiences’ playing with sport competition. It is a complicated, multidimensional, chaotic, vague, overlapping, twisted, profound and meaningful experience. It also features the holistic experience from subjective to inter-subjective consciousness, from instant taste to temporality experience , from abstract back to concrete experience and from objective criteria to all open-up experience.
3. In all, the hermeneutics of aesthetics of sport means to understand the relations of sport competition and the world it exists. Sport competition performs not only its original but also the imitative and symbolic meaning. Imitation can truly let us know it while symbol can enhance our understanding more completely and thoroughly. Besides, the meaning of sport competition is completed by inter-
function of time and space. Its co-play with humans creates such an experience that we just can’t let it go. It is thus affirmed that aesthetics of sport is considered as a hermeneutics after our understanding its connotation.

並列關鍵字

aesthetics of sport ； hermeneutics ； Gadamer ； art experience ； aesthetic experience