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  • 學位論文

插畫中徒手線畫風格之創作表現與應用--以歐遊系列、台灣系列觀光海報設計為例

The presentation and application of freehand illustration in line

指導教授 : 張柏舟
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摘要


根據【布里塔尼卡百科事典】(encyclopaedia brilannica)裡的說明,將「Drawing」一辭詮釋為:「把物體、人物、風景或感情、創意以及構想等,主要以線條表現出來謂之。」由此看來,以線條把對象抽象化、簡約化,是Drawing最大的特徵。對Drawing的範疇與目的,【布里塔尼卡百科事典】做了如此的規範:「Drawing大體來說,是為了準備大畫前先畫的草稿,但有時是以它為最終目的而畫的線畫,這就叫做Drawing。」(註1) 本論文中徒手線畫的研究作品,便是以Drawing為主,把各地具有特色的風景轉變為圖像的形式,再搭配不同明度與亮度的色塊、色彩,形成具有立體與空間感的插畫;並利用插畫中的徒手線畫,結合部分新藝術(Art Nouveau)風格為裝飾,表現歐洲及台灣各地的獨特風光,目的是藉著圖形的傳遞,嚐試創造出兩個不同系列的觀光海報。創作形式以平面的手繪線條,配以當地豐富的色彩,來表達如漫畫般充滿想像的空間,以建構成具有輕鬆風格特色的作品。 筆者的研究方法主要是採取文獻探討法,研究步驟便是從有關插畫文獻的研究開始,從而了解插畫的定義、歷史和分類。從插畫的定義來說:插畫是為正文內容作補充說明,或純粹是裝飾用的手繪圖畫或圖解;從歷史的角度來說:在東方和西方的插畫發展歷史裡,便可以清楚的看到,雖然東方和西方的插畫歷史不盡相同,但都是從宣揚理念的作用發展出來的,經歷各代的演變,慢慢進展為現今的插畫形式,也逐漸成為一門獨立的藝術。製作方式從起初的手繪,到木刻、石刻等印刷流傳,及至今日的印刷技術,插畫便愈趨精美和廣為流通;從插畫的分類來說:可從表現手法和表現材質來探討,表現手法包括,幽默、諷刺、寫實、裝飾、幻想、象徵、誇張、及抽象等;表現材質有手繪插畫、印刷插畫、立體與半立體插畫、電腦繪圖插畫等。 其次,便是從此次研究的主題「徒手線畫」中,對線條定義、分類及線條與色彩間的關係作研究。在這個部分,我們可以得知:線為點移動的軌跡,線主要可分為直線或曲線,而不同的工具所繪出來的線條,也具有其個別的特徵;線條與色彩則可以互為主從,若在以線條為主的畫面中,色彩所扮演的角色,便是將立體的空間,轉換到平面的畫面中,而畫面的前後關係,則可利用色彩的三屬性:色相、明度、彩度,來分出前後的空間感。 最後,要探索的是:插畫的裝飾風格部分。此次創作,希望達到的是輕鬆、自然、浪漫、率性的風格,因此便採用與之相近的新藝術風格。百年前的那一個跨世紀時代,是一個新藝術運動創作者勇於創新、達到顛峰成就的時代;在今日另一個跨世紀的同時,所以會採用新藝術風格,也是期望現代的設計創作者,能具有和新藝術運動者一樣的勇敢創新態度,創造另一個巔峰。 總結來說,在筆者論文中的這一個段落裡,是從新藝術的起源、背景、發展和各地的特色作概要的認識,作本文研討的基礎和創作的源頭。 文獻探討之後,便利用從文獻中所得到的概念和知識,發展出以針筆手繪線畫為主的插畫形式,描繪的對象則是各地的風土人情與自然人文風光,展現出不同於一般攝影圖片的介紹,融入筆者對旅遊當地的思維,和旅遊時所感受到的氣氛;另外,也希望當代的設計者,不要被新興的電腦科技所侷限,因而拋棄了傳統的手繪方式,應該各取其中優點,配合自己的設計理念,創造出更合人性化及更優美的作品。 最後,筆者要說明的,在創作應用的項目上,則包括了:旅遊海報、具有景點介紹的月曆、給兒童閱讀的景點介紹插畫書、和給青少年與成年人的隨身筆記書等,都是可以用此一方式表達的作品。 註1: 王秀雄譯,1996,伊東壽太郎著,設計用的素描,台北:大陸書店,頁11。

關鍵字

插畫 徒手線畫 新藝術 旅遊海報

並列摘要


According to encyclopaedia brilannica : It explains the meaning of “ Drawing ”: 「 it shows object , people , scenery , emotion , creation and idea with line 」. Hence we know , the great character of drawing is to make object become abstract and simple by line . The encyclopaedia brilannica concludes some rules about the range and the purpose of drawing : 「Generally speaking , drawing is a rough draft which I have painted before I prepare to draw a picture . Sometimes the rough draft become our final work 」 . The research work of freehand illustration in line is based on drawing , which translate scenery into the form of picture , and match the shade of color which has different color , bright and light . Then they will become three-dimensional illustration . I use the freehand illustration in line to combine decoration style of Art Nouveau and the unique scenery in Europe and in Taiwan . I create different series of sightseeing poster by transmission of picture . Creative form use the freehand line in plane and plentiful color , I also want to show the imaginative space of comic and easy attitude style . My main research adopt literature discussion , The step of research starts from the research of illustration literature , and then you will know the definition , history , classification of illustration . When it comes to the definition of illustration : Illustration is a additional explanation for contents , it just for decoration or define the picture . In respect of illustration , we can see that the history of illustration are different in east and in west , but they all develop from spreading idea . It goes through development in history to develop slowly , and the modern illustration form becomes a unique art step by step . The development of production method is from freehand , woodcut , stonecut , which print to spread , till now the modern print technique make the illustration more exquisite and wide spread . In speaking of the classification of illustration : It can discuss by display method and by display material , the display method includes humor , satire , reality , decoration , imagination , symbol , exaggeration , abstract , etc. The display material includes freehand illustration , print illustration , solid and 3D illustration , computer illustration , etc. And then I will research the definition and classification of line , and the relationship between line and color , to discuss my subject which is freehand illustration in line . In this part , We can know that , the line is routes of dot moving . The line can divide straight and curve , and the different painting tools can draw different line with special character . The line and color can interact each other . For example, I use the line to be the main character of picture , the color is going to change the solid space into the plane of picture . And the front-back relation of the surface of picture can use the three attributes of color : hue , value and chroma , to divide the space of front-back . At last , I will discuss the decorative style of illustration . I hope this work can show the relaxed , natural , romantic and frank style. Therefore, I choice the Art Nouveau that is close to this style. Hundred years ago , it was a great age , The Art Nouveau creator braved to create and made the best achievement . In the new century , I adopt the Art Nouveau to expect modern creator will have the same attitude , just like Art Nouveau creator to create another great age . In this paragraph , it introduce simply the original , background , development , character of each nation all about Art Nouveau , and that is my basic of thesis and source of creation . After I discuss the literature , I use the knowledge and conception from the literature to develop the illustration which use technical pen to draw freehand line . The objects of describing are local custom and practice , natural and humane scenery , it shows thespecial introduction to differ from the common photo picture , and it assimilate the thoughts and the atmosphere which I have feeled when I was traveling in each place . Otherwise , I also hope the modern creator do not depend on computer so much to desert the traditional freehand painting method . We should adopt the advantage of them to match our design idea , and then we will create more human nature and beautiful works . The last point , I want to clear it up : the application items of creation are including 8 traveling posters , a calendar with introduction of scenery , a book for children with illustration and introduction of scenery , a note book for young man and adult , 12 bookmarks , 4 cards . You can see all kind of the application items in the same style .

參考文獻


§翁參隆,1983,紙裝飾,台北。
§蘇進強,1999,歡喜新台灣,台北:中華文化復興運動總會。
§Lara-Vinca Masini,1984,ART NOUVEAU,London:Thames and Hudson Ltd.
◎中文書籍
§王秀雄譯,1996,伊東壽太郎著,設計用的素描,台北:大陸書店。

被引用紀錄


劉欣盈(2001)。拼貼在平面設計中的應用表現研究-以海報設計為例-〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-2603200719121367
黃添貴(2004)。符籙造形在視覺傳達設計之應用--以「生命禮讚」為主題〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-2004200712512302
林素霞(2005)。新藝術裝飾風格之創作與研究 ─以敦煌飛天造形為例〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-2004200715384839
張東美(2007)。愛情圖像應用於插畫之創作與研究〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-2910200810564873
張浩峰(2010)。線條表現之插畫創作與研究 —以徒手繪製為例〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1610201315202264

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