《歐樂思——史惟亮檔案》中的1966年賽夏族音樂研究

《歐樂思——史惟亮檔案》包含56卷盤帶，內容為由史惟亮和許常惠兩人於1960年代共同主導的民歌採集運動有聲資料。其中兩卷在盤帶盒面上，有記載著新竹縣五峰鄉賽夏族的相關資訊。本文的研究重心，即以該檔案中1966年20首歌謠賽夏族歷史錄音與盤帶資料為論述基礎。首先，本文建構當年三位採集者李哲洋、侯俊慶和劉五男，分別兩次前往新竹縣五峰鄉賽夏族部落踏查的情形。繼之從20首樂曲中應用到賽夏語和泰雅語兩種語言，探討歌謠語言中的族群滲透現象，藉由葛蘭西的文化霸權概念，闡述北賽夏族群受強鄰泰雅族群的影響，使之泰雅化的現象。再探尋歌謠背後的文化意義，進而重建歌謠脈絡與社會文化關聯性。分析出1966年所採集的賽夏傳統歌謠結構，有著演唱兩次的重複形式，其中包含兩種重複型態；以及賽夏音樂中的複音平行現象，應非賽夏族的一種常態性演唱形式之結論。

關鍵字

民歌採集運動；歐樂思—史惟亮檔案；賽夏族音樂；文化霸權

並列摘要

“Alois Osterwalder－Shih Wei-Liang Archive”contains 56 volumes of open reel audiotape. These recording is about “The Folk Song Collected Movement” which was lead by 2 Taiwanese musicians,Wei- Liang Shih and Tsang-Houei Hsu, in 1960s. In the archive, there are 2 of the volumes showing the information about Wufeng Township in Hsinchu County, where the SaySiyat people lived, on the case. Thus, to study the 20 SaySiyat songs in the 2 volumes which was recorded in 1966 becomes the main purpose of this thesis. First, the study constructs three collectors’s , Zhe-Yang LI, Chun-Ching Hou and Wu-Nan Liu, two trips to SaySiyat tribe in Wufeng Township. Second, because of the phenomenon of a song applying 2 different languages, Saisiyat and Atayal, take the cultural hegemony theory of Gamsci to explain the influence of the strong neighboring Atayal group on northern SaySiyat ethnic group. In addition, exploring the context of the songs is an important reconstruction process, it helps people to understand the Saisiyat social and cultural relevance. This thesis reveals the traditional-song structure actually with second-repeated form and it includes 2 kinds of pattern. Besides, the parallel polyphonic phenomenon in SaySiyat music which was known as a special phenomenon, should not be dliberate.