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  • 學位論文

童心&童趣–吳俞青繪畫創作研究

Childlike innocence & Childlike interest - The Research of Yu-ching Wu’s Painting Creation

指導教授 : 王瓊麗
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摘要


藝術創作對藝術家來說可說是身心靈的延伸,因此藝術創作亦是藝術家對人生的一種體悟與對所處環境時代的一種關照,而筆者藉由繪畫創作表現內心情感,意圖透過繪畫傳達對消隱童年時光的追憶與想像,童年是生命中重要的初始階段,是成長也是能量,童年經驗對人類的心理經驗與成長發展更有著重要的影響。筆者以自身生活經歷為出發點,並帶進自我主觀的奇幻異想,試圖喚起與我有著相同童年座標的觀者們的共鳴。 本文共分五章,第一章緒論,說明以童年記憶中的童玩與零嘴作為創作主題的研究動機與目的、並確立了研究方法以及研究範圍與限制;第二章為創作理念與學理基礎,第一節探究筆者的創作脈絡演變,第二節探討與本研究相關之學理基礎,包括超現實主義與攝影照片對本創作的影響與啟發以及中外名家作品對童年題材的詮釋;第三章詳細說明此研究之創作內容與形式,並介紹創作之媒材與技法應用;第四章為作品說明與解析,此研究分為《童年玩物》與《回味童年》兩個系列,此章分別就兩系列作品進一步解說創作理念;第五章為此研究做一個總結與反省以及筆者對未來創作的期許與展望。

關鍵字

童年 童玩 超現實主義

並列摘要


Art creation is a kind of expand of body and soul for artists. Therefore, art creation is also an epiphany from life and it shows their concern for the environment. The author expresses her thoughts through art creation and tries to convey the recollection and imagination about her childhood days by painting. Childhood is an important stage in life, just like a kind of growing and full with energy. Childhood experiences have an important influence on growth processes. Author attempted to inspire viewers with life experience as a starting point and added imagination. This thesis consists of five chapters. The first chapter is Introduction, setting out the motivation and purpose of why author choosing folk games and snacks as creation topic. The research methods and the range of the research are also established. In second chapter, the notion of creation and the fundamental concepts used in this thesis are reviewed, including how Surrealism and photography inspire my creation and the masterpieces related to childhood. A more detailed description of creation content, forms, mediums and techniques can be found in chapter 3. The forth Chapter is analysis of two series creations, “Folk Games in Childhood ” and “Memorable Things in Childhood”. The last chapter is conclusion, including creation results and perspectives of the creation.

並列關鍵字

childhood folk games Surrealism

參考文獻


一、 中文書籍
1. 王大用(1997)。復興崗學報61期「超寫實主義」繪畫發展的研究。台北:復興崗學報。
2. 王受之(2010)。世界現代美術發展。台北:藝術家。
3. 朱光潛(2001)。談美。台北:書泉。
4. 何懷碩(2003)。給未來的藝術家。台北:立緒。

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