武俠的存在與虛無-Neo科幻武俠漫畫創作研究

Being and Nothingness–A Study of Science Fiction Wuxia Comics Creation

魏良成(Wei Liang-Cheng)

指導教授 ： 蘇宗雄

國立臺灣師範大學/藝術學院/美術學系/博士(2016年)

https://doi.org/10.6345/NTNU202204638

摘要

『武俠』是華人獨有的奇幻文化，千年來真實與幻想之間相互交織，形成了看似『存在』又碰之『虛無』的武俠信仰，既真且幻，既有若無，基於武俠如此的特質，本研究試圖從現實與虛幻的兩個觀點去探索武俠文本，從『俠』的內在思想觀點與『武』的外在視覺表現形式兩個面向來分析武俠作品。
內在的思想觀點方面：運用存在主義的哲學觀點來探討與分析『俠』的各種層面所呈現在『真實』社會的人性意涵；分析武俠作品中的敘事結構、敘事的形式，作品所要呈現的主題與說服的手法。
外在的視覺表現方面：分析武俠圖像漫畫類型作品，探討其中的畫面、構圖、造型的表現技巧與手法，研究相關的武俠漫畫論著，汲取學術的專業觀點，對武術研究的學者與武術家進行專家訪談，來對照驗證相關的武學表現論點。經由這三個部份的研究及分析，來探索武俠作品外在的視覺表現意義。
最後探討武俠與科幻的關係，武俠中關於虛無、虛擬的幻想部份。運用物理學三大系統理論與科幻的角度來分析『武術』真實與虛幻的原理與創意，並運用科學理論作武術創意的延伸想像，推演創作出中華文化的『科幻武俠』風格。

關鍵字

武俠 ； 漫畫 ； 存在主義 ； 沙特 ； 科幻 ； 存在與虛無

並列摘要

“Wuxia” as a fantastic culture exclusively exists in the Chinese world. Reality and imagination for thousands of years have interwoven into a Wuxia faith which seems to exist as “being” but actually as “nothingness.” Based on such characteristic of Wuxia, the research aims to explore and analyze the Wuxia texts from the two aspects, the internal ideological concept of “Xia” and the external visual performance of “Wu.”
In terms of the internal ideological concept: the research adopts the philosophical viewpoint of existentialism to discuss and analyze the various layers of “Xia” represented in the significance of humanity in the “real” world; it also analyzes the narrative structure of the Wuxia texts, forms of narration, themes of the texts and the persuasive methods.
In the aspect of the external visual performance: the research analyzes the types of the Wuxia comics to explore the skills and methods of presenting images, compositions of pictures and styles. By consulting the publications related to the Wuxia comics, absorbing the professional academic viewpoints and interviewing with the scholars of the martial arts and the martial artists, the research intends to examine the relevant arguments of the presentation of martial arts. Through the three parts of study and analysis, it probes into the significance of the external visual performance of the Wuxia texts.
Finally, the research discusses the relations between Wuxia and fiction and the imaginations about nothingness and virtual characteristic. It uses the three system theories of physics and the aspect of science fiction to analyze the principles and creativity of reality and imagination in “Martial Art.” By using the scientific theory as the basis for extending the creative imagination of martial arts, the research concludes the styles of “Wuxia science fiction” in the Chinese culture.

並列關鍵字

Wuxia ； comic ； existentialism ； Sartre ； science fiction ； Being and nothingness

參考文獻

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