多重並置與跨介擴延-複合型態水墨創作實踐與理論研究

本論文研究架構共區分為四階段，分述如下︰在創作研究方法建構階段（第一章）。將以作品為探究核心，強調「作品為主、理論為輔」及「先實踐後理論」的主從順序關係上，將研究方法規劃為四個階段進行創作實踐研究。其次是創作研究主題定位階段（第二、三章）。主要是針對「傳統水墨」、「現代水墨」、「當代水墨」三者之間的關係作一整體的詮釋，在兼具各自獨立性與同一主體性的關係下，探討水墨藝術脈絡彼此間的競合關係，「複合型態水墨」此一脈絡中的定位方向與發展概況，藉以釐清創作研究的切入角度，並完整體現水墨藝術在當代發展的多元特質。第三階段是創作實踐研究階段（第四、五、六章）。在這個階段的論述包括複合型態水墨的媒介觀念、型態方法及個人創作觀念、形式、技法等幾個部分的討論。創作實踐研究階段為本論文研究的核心部分，為創作實踐理論建構的基礎所在。藉由作品的風格形式分析，推演出以作品形象徵候的相關概念，以此建立以作品為導向的創作理論文本。因此，在這個階段將透過現代材料學觀念探討水墨複合媒介在當代水墨創作上的應用情況、個人創作觀自述及技法分析等面向。第四階段為創作實踐研究理論與美學觀念建構階段（第七章）。這個階段是複合型態水墨美學理論統整階段，它的研究基礎是來自前一階段作品形象徵候的歸納與探討，期望從作品自身的形象徵候中歸納出一個系統性的論述觀點，包括筆墨型態的當代性態度、空間形態的多重呈現、視覺、空間意象與造形語言的多重並置等等美學觀念的理論。

關鍵字

複合型態水墨；跨媒介；多重並置；疏離化；多媒材

並列摘要

contemporary water-and-ink art as the focus, this paper will analyze the correlations and individual differences as well as seek the comprehensive relationships among the three types of water-and-ink artworks. The findings will serve as a starting point for examining the definition and development of hybrid water-and-ink art in this vein, and the multi-layered facets of water-and-ink painting in the world of modern art will be explored. Section Three (Chapters Four, Five and Six) is dealing with "research on the practice of creating artwork." In this stage, the main points and the general creation process of hybrid ink-and-water paintings will be introduced, as well as my personal philosophy on creation, structure and techniques. This will be the core part of this paper, and the basis for constructing a theory on the practice of creating artwork. Through analyzing the form and style of paintings, the theme and characteristics of each art piece will be summarized, and through the process a practical artwork-oriented creation theory will be constructed. In this section, in a nutshell, through exploring recent material-related concepts, I will discuss the hybrid water-and-ink art III medium and its usage on contemporary water-and-ink artworks, and offer my own personal art philosophy and analysis on creation techniques. Section Four (Chapter Seven), in the "research theory on practical creation and the construction of aesthetic ideas" stage, I will integrate theories on hybrid water-and-ink aesthetics, with the summarized analysis in the previous stage as the basis. I aim to organize a systematic narrative viewpoint from the images and characteristics of artworks themselves. This will include the contemporary attitudes towards different forms of ink art, the multiple ways of exhibiting spatial forms, the juxtaposition of visual and spatial concepts, as well as stylistic language and other aesthetic theories.