威爾第聲樂曲《六首浪漫曲》、〈可憐的男人〉及〈民間歌謠〉之分析與詮釋

此本論文所探究的主題為十九世紀著名的義大利歌劇作曲家威爾第(Giuseppe Verdi, 1813-1901)的聲樂曲，並採用其初期所創之歌曲集《六首浪漫曲》(Sei Romanze, 1838)：〈請別靠近此墓〉(Non t’accostare all’urna)、〈愛麗莎，疲累的詩人將死〉(More, Elisa, lo stanco poeta)、〈在孤寂的房中〉(In solitaria stanza)、〈在暗夜的恐怖中〉(Nell’orror di notte ouscura)、〈我失去了安寧〉(Perduta ho la pace)、〈啊！悲傷的聖母〉(Deh, pietoso, oh Addolorata)，以及中期的〈可憐的男人〉(Il poveretto, 1847)和晚期的〈民間歌謠〉(Stornello, 1869) 為例。筆者將本研究分為四個章節，逐一從第一章緒論囊括研究動機與目的及研究範圍與方法之概述，第二章分成威爾第生平、義大利聲樂曲之概述、威爾第與義大利聲樂曲之關係、威爾第聲樂曲之創作風格與手法，以及詩人簡介一共五部份來介紹，第三章為威爾第八首聲樂曲之分析與詮釋，與第四章的結語來撰寫此篇論文，希望透過以上章節更認識威爾第在聲樂曲的創作風格與手法。

關鍵字

朱賽佩．威爾第；六首浪漫曲；可憐的男人；民間歌謠；次女高音；義大利聲樂曲

並列摘要

This study researches selected vocal works of Giuseppe Verdi (1813-1901), one of the best Italian opera composers in the nineteenth century. This study uses Verdi’s works from different compositional periods. Sei Romanze (1838), including: 1. Non t’accostare all’urna, 2. More, Elisa, lo stanco poeta, 3. In solitaria stanza, 4. Nell’orror di notte ouscura, 5. Perduta ho la pace, and 6. Deh, pietoso, oh Addolorata are works from his early period. Il poveretto (1847) is composed in his middle period, and Stornello (1869) is a work from his late period. This study contains four chapters. Chapter one talks about the motivation, content, and methodology. Chapter two has five parts: the life of Verdi, Italian vocal works, the relevance of Verdi and Italian vocal works, the compositional style and method of Verdi’s vocal works, and summary of poets. Chapter three is the main body of this study, which presents the literary and musical analysis and interpretation of selected works. The final chapter summarizes and concludes the study, which helps people know better about, how Verdi composed his vocal works.