「氣味媒介」介入藝術作品展演情境研究── 賴香君「嗅小球」創作思維

A Study of Scenting Media Creating the Atmosphere in Art Exhibition– Thoughts on the Work of Olfactory Glomerulus by Siang-Jiun Lai.

賴香君(Siang-Jyun LAI)

指導教授 ： 王雅倫

共同指導教授 ： 黃文勇(Wen-Yuang Huang)

崑山科技大學/創意媒體學院/視覺傳達設計研究所/碩士(2010年)

https://doi.org/10.6828/KSU.2010.00095

摘要

在多元發展的當代藝術中，回溯作品形式，不外乎著重於視覺，其次為聽覺與觸覺。人們似乎遺忘了人類另一項重要的感知－嗅覺。本研究將探討「氣味媒介」介入作品展演情境中之於觀者的特殊性，透過相關文獻收集與分析以了解氣味的發展歷史、以及嗅覺器官之於人類生、心理之間的關係；此外，本研究也藉由現象學大師梅洛龐蒂( Merleau-Ponty )現象學之觀點，以「想像」觀念進入，循序了解人類的身體、感官及聯覺等概念。以此觀念回頭省思與論證「嗅覺－氣味」媒介可發展的藝術形式，不再讓藝術僅停留於視覺之上，而是邀請身體感知一同感受作品中的情境。
由於本研究試圖讓「氣味媒介」介入藝術展演中，因此本文除了提出六項國內外有關於氣味媒介的藝術作品，加以分析與比較之外，也由文獻探討中的感想進一步實地創作。經由不同的「嗅覺－氣味」的作品創作，從中找出最佳的展出形式，並整理出「氣味媒介」在作品中需要面對的問題，最後總結嗅覺感知運用於藝術創作之展望與情境效應。希冀能以本研究的作品提供觀者一種不同於以往的觀賞經驗與氛圍層次，讓作品成為可見、可聞、可感覺之物。除了促使觀者重新審視長期被忽略的嗅覺感知之外，也企圖讓藝術觀賞擁有另一種閱讀作品的方式、以及嗅覺情境。期待依此研究與創作讓當代藝術及其觀賞方式更為豐富、多元、甚至更具生命感與記憶性。

關鍵字

嗅覺感知 ； 氣味媒介 ； 梅洛龐蒂 ； 情境

並列摘要

In the diversified development of contemporary art. Previously artwork focused more on the sense of sight, touch and hearing; it seemed that people had forgotten that they had another important corridor of observation, the sense of smell. This study explores the special persona of the “scented medium” and its effect on the viewer. Through the collection and analysis of related documents we will become familiar with the developing history of scent and its relation to the olfactory organs and human physiology. Through the viewpoint of Merleau-Ponty, a French philosopher, on phenomenology this study will start with the concept of “imagination” then progress toward the understanding of the human’s body and its sense organs, synesthesia, etc. On this basis we would like to consider a form of art that can be used to develop a medium to best demonstrate “the sense of smell – odor” experience. Art is no longer only limited to visions collected through the sense of sight, but also let the body become aware of the artistic conception of the works.

The study is about involving “scenting media” in an exhibition of art. The text of this work will not only present an analysis and comparison of six different pieces of art based on scent media from both home and abroad, but it will also share creative work which is a reflection of research of other documents. Through various creative art works involving “the sense of smell and scents”, we will explore the best ways to present them in art shows and will demonstrate some of questions the “scenting media” will create and at last summing up the prospective when the scent perception is applied to creative artwork and monitor its effect on the viewer. Hopefully the work presented in this study will provides the reader with a new outlook and admiration of a different atmosphere, art which can be seen, can be smelt, and can be felt. Besides having the viewers examine anew the scent perception which has for such a long time been ignored, this study seeks to let the art viewers have another alternative for reading works of art and experience the new atmosphere of smell media. Ultimately this study and its alternative artistic creations will make art and the manner of viewing art a richer experience with more versification to provide a sense of life and remembrance.

並列關鍵字

Scent perception ； Scenting Media ； Merleau-Ponty ； atmosphere

參考文獻

[24] Maurice Merleau-Ponty，姜智輝，2001，知覺現象學，商務印書館，北京。

[8] 陳啟成，2004，嗅覺藝術的願景，國立台北師範學院學報：16卷-2，國立台北師範學院。pp.55-66。

[5] Maurice Merleau-Ponty, Phénoménologie de la perception, Paris: Gallimard, 1945.

[3] Annick Le Guérer，黃忠榮，2005，氣味，台北：邊城出版社。

[11] Gilles Deleuze，黃建宏，2003，電影：運動－影像，遠流。