本文視「個性」(Personality)為體驗生活空間的主體,探求其在流變的公共領域(Public Sphere)下如何適得其所。藉由情緒地理(Emotional Geography)對「情感的身體」(Affective Body)的詮釋,其擁有肉身的感知能力,以及它得以據此作出回應的能力,以說明空間感知因人而歧異,據此「個性」必然存在於「空間生產」(The Production of Space)當中。台灣公共空間生成絕大多數承載著政治訴求,有目的的規訓使用者的個性,先決上抹煞了空間受眾的多樣性,進而推擠出城市邊陲的空間聚落。當群體力求再現彼此相連的空間記憶,此刻身體成為空間營造的基本單元,情感則是空間再現的要素而非產物,人與空間的關係才是自主的、多項開放的不斷生成的過程,呈現現異質空間的公共性(Publicness)。
This project show the “Personality” will affect how people feel the live space; discuss how people to be comfortable in the dynamic “Public Sphere”. According to the realization of “Affective Body” through “Emotional Geography” , “Affective Body” possesses sensibility; therefore it could create reaction; thus, the spacial perception is varied to individual. “Personality” is the essential element of “The Production of Space”. Political issue often blend into the production of public space in Taiwan and intend to discipline the personality of the public space users presuming eradicate the diversity of users; moreover, the out of norm become the city outsider. while the city outsider recreate their common spacial memory, “Affective Body” as basic the fundamental unit of spacial production. Thus, the emotion is the cause of spacial representation rather then effect. It indicates the relationship of people and space is no longer integrate and stable; in contract a process of self motivate, diverse, dynamic, and present the Publicness of Heterotopias.