張曉風的生態關懷研究 ─意識、行動與書寫

田秀米(HSIU-MI TIEN)

指導教授 ： 吳亦昕 ； 浦忠勇

國立中正大學/文學院/台灣文學與創意應用研究所/碩士(2014年)

摘要

摘要

本文以女性作家張曉風的生態關懷意識為研究主題。
筆者以為張曉風的天生對於自然懷抱著特殊的情感，這在她後來皈依的基督教信仰，以及從家庭教育與華語文教育中，得到充分的灌溉，成為她生態意識的始源。這樣的情懷不僅使得她的創作裡充滿萬物有愛的感知，並且驅策她投入環保運動，無怨無悔。

不過，根據筆者的看法，在張曉風早期的創作裡，她的生態意識之呈現，完全是詩意而感性的，與一般界義下的科學的、客觀的、博物的生態寫作不同。即使是她投入環保運動後，她的寫作仍然維持著她一貫的詩意風格。只是，在情理編織的層面加入較多具說明性的、分析性的論述而已。然而，正是如此，張曉風的作品為讀者開出一個與西方定義下的自然寫作的對話的空間。

關鍵字

行動 ； 意識 ； 生態 ； 張曉風 ； 書寫

並列摘要

abstract
This study aims to discuss the Taiwanese female writer's Chang Xiao-feng's Ecological concern expressed in her writing.

The author claims Chang Xiao-feng born with a special feelings toward the nature, which was strengthen by her Christian belief and the education offered by her family and school, has become the origins of her ecological consciousness. Not only had his consciousness made her writing filled with love for every thing of the world, but also clearly expressed her deep perception of the language she used and become a strong drive to dedicate herself to environmental movements.

However, as far as I am concerned, in the early stage of her writing, the way for her to present her ecological concern still remained with poetic style as she used to. Even with more analytical languages, the style she created was fully different from the nature writing, defined by the contemporary literary theorists, which should be objective and scientific. Getting through this, she has opened up a space for dialogues between the west and the east in nature writing.

並列關鍵字

action ； consciousness ； Chang Xiao-feng ； writing ； ecology

參考文獻

易元章，〈張曉風的散文創作觀及其實踐〉（碩士論文，國立臺北教育大學人文藝術學院語文與創作學系語文教學碩士班，2012）。

參考書目

一、專書

張曉風，《玉想》（臺北：九歌出版社有限公司，1990）。

張曉風，《地毯的那一端》（臺北：水牛圖書出版事業股份有限公司，1991）。