心靈幻麗風景與它的故事——戴毓岑創作論述

摘要本創作研究論述「心靈幻麗風景與它的故事」採自我的生活中有過的體驗及透過紙本或傳播媒介等所見過之景象為幫襯，以委婉的方式將所思所想寄於敘事風景之中。時間的長河流動了數億年，一代又一代的積累出各色景象，所見所聞之風景與我們息息相關，在人生的漫漫旅途的歲月流逝，記載各樣的小故事，風景包容各種人、事、物在其土地上所發生的故事。因此，以風景為創作的內容再也不是單純的紀錄與讚頌秀麗山川的壯闊與美好，而是融入思想與敘事的浪漫藝文。所謂敘事風景，指我們所生活之處皆為景色包圍，當中便還蓋各種事件的敘事。風景為題材的作品背後所蘊含的核心由心靈出發，包含我平常不知如何對外表露的抽象心緒，以及擴展到較大範圍，對他人所見的、所聽聞的、所閱讀到的故事而產生到的共情，再到對此種種的個人感悟，將其具象化的以象徵、隱喻的方式輸出，形成的故事性繪畫。自小我即為一個喜歡浪漫、唯美或帶著一絲詩意美感的故事，加上有時候的胡思亂想、放空的冥想，所以如同幻想夢境般的畫面偶爾會在我的腦海中靈光一閃，而過往做過的一些夢境的點滴碎片也是引發綺麗畫面的創作靈感來源。以上的要素最終以風景來表現具幻想瑰麗與涵蓋心靈背景的色彩，創作出心靈療癒的畫面和故事。本論文分為五章，第一章：緒論簡述我的成長背景、美術學習歷程、創作的心態變化至創作的主題的啟發、動機與期望。第二章：透過創作相關文獻的抽絲剝繭，釐清我所做之作品裡頭的共通性，分別為風景的敘事、奧迪隆·魯東的象徵精神、夢的元素，到最後一節的多元並進與前三者之間的整合。第三章：是對於我創作的靈感啟發、作品內容的形塑，與創作的過程的系列剖析，以及對創作的感知。第四章：把從2020 年至2022 年期間我所創作的作品之發想、靈感、編排、故事背景等進行更加詳細的詮釋與說明。最後，第五章：將我所撰寫於此論文中所提到和我創作相關的重點做統整與感想的總結。

關鍵字

敘事風景；故事性繪畫；幻想夢境；心靈療癒

並列摘要

Abstract This creative research discusses the "Landscape with Fantastic Spirit and Its Stories" . It is based on my experience in my life and the scenes I have seen through paper or media etc., then I send my thoughts to the narrative landscape in a euphemistic way. The long river of time has flowed for hundreds of millions of years, and various scenes have been accumulated from generation to generation. The scenery we have seen and heard is closely related to us. In the long journey of life, we record various small stories, and the scenery contains all kinds of people, events, and things with stories that happened on its land. Therefore, the content of landscape creation is no longer a simple record and praise of the magnificence and beauty of great mountains and rivers, but a romantic art that integrates thoughts and narratives. The so-called narrative landscape means the place where we live is surrounded by scenery, and there are narratives of various events in it. The core behind my landscapethemed works starts from the heart, including the abstract emotions that I usually don’t know how to express to the outside world, as well as expanded to a wider range of empathy for what others have seen, heard, and read, then to various personal perceptions, and output them in the form of symbols and metaphors, which formed a painting story. Since I was a child, I have always liked stories that are romantic, beautiful, or with a touch of poetic beauty, and sometimes I have random thoughts and empty meditations, so the images of fantasy dreams occasionally flash in my mind. And the bits pieces of some dreams that I have done in the past are also the source of inspiration for the beautiful pictures I create. The above elements finally use the scenery to express the colors that are fantastic and magnificent, and cover the background of the spirit (soul), creating pictures and stories of mind curing. This thesis is divided into five chapters. The first chapter: Introduction briefly describes my growth background, art learning process, the change of creative mentality to the inspiration, motivation and expectation of the theme of creation. Chapter Two: Through the analysis of relevant documents, I clarify the commonalities in my works.Which are the narrative of the landscape, the symbolic spirit of Odilon Redon, the elements of dreams, and the integrated of the multiplicity in last section and the first three. Chapter Three: It is v a series of analysis the inspiration of my creations, the shaping of the contents in my works, and the process of creation, as well as the perception of creation. Chapter Four: Interpret more details of the ideas, inspirations, arrangements, and the story backgrounds, etc. of the works I created from 2020 to 2022. Finally, Chapter Five: I summarizes the key points related to my creations that I have written in this paper.