手感體驗設計導向之流行趨勢研究—以手作工藝為例

Contemporary Trend of Emotive Experiential Design – A Case Study of Handicrafts

周欣諭(Hsin-Yu Chou)

指導教授 ： 連德仁

國立臺中科技大學/設計學群/商業設計系碩士班/碩士(2009年)

https://doi.org/10.6826/NUTC.2009.00002

摘要

手作工藝的創作行為已遍及於當代社會，端看其衍生的流行趨勢和效應，正好反應出人們重視以手工、手感為導向的設計風潮。近年來，眾多活動的進行過程，更融入了體驗概念，即是以身體來做為接收感知與形成意識的基礎，這亦為歷代思想潮流和藝術形式的投射結果。伴隨著現今社會大眾漸次重視藝文涵養，以及將美學經驗融入生活的情感氛圍，設計之面貌便綜合受到此波流行趨力的影響，使手感體驗之精神轉換為創造表現的泉源。手感體驗所涉及的廣泛層面，不僅直接感染人們的生活形態，且延伸至大眾消費與經濟活動等現實情境，可說是承載著新時代的意義和價值。本研究發現，自重視手感的生活型態中，亦反應了人們期望以各種實踐行為來深化生命體驗的現象及趨勢。

本研究將手感體驗做為探討的主軸，並以手作工藝為例證，針對手感體驗的可探究性與手作工藝實踐之哲學觀、文化涵養等面向相互連結，欲從中析論手感意識的延伸和創造，藉此揭示更多新的社會價值。其中之研究動機為：第一，重現手工勞動價值融合之創新生活型態；第二，闡述感官知覺的優先性取向影響體驗連結；第三，深究手作暨手感體驗脈絡之知識建立與統合，同時強調手感體驗導向之正面性寓義，以期優化社會大眾之價值觀。

工藝相關之活動向來是人類生活的縮影，其勞動生產方面的歷程，也面臨到資本主義社會中價值轉換的種種考驗。手作工藝因應後現代氛圍下尊重多元、強調差異及自由意識的趨向，演變成為對世界再現的文化物件，同時引領著手感意識以契合感知體驗、人本精神當道的風潮，這些均是亟需探討深思的課題。本研究有鑑於此，在議題發展上所欲分析和論述之研究目的為：首先，自身體現象學的觀點來思考，強調身體力行的重要性，藉此解析其中的手感經歷，並詮釋手感體驗現象之存在價值。其次，自追溯工藝文化的發展中，闡述手工思維的可貴，且釋出手作工藝的演進脈絡，並依後現代之藝術潮流研討手作工藝的設計表現，從而映現出手作工藝為富含意義的文化物件，以致影響流行風潮的一席發展。最後，就現況而言，分析手感之集體意識及設計應用，在帶動社會大眾美學思維的同時，進一步分析具有手感經濟概念的消費型態。

本研究採用文獻分析法來進行剖析論述，並配合深度訪談，預計將文獻理論與實際現況加以結合，藉此襯托中心思想。而綜合文獻暨理論的解析，以及研究探索的發現，本研究將此議題分成五大章節來敘述呈現。第一章為緒論的部分，一共分五小節，含括研究背景、研究動機與目的、研究範圍與限制、名詞釋義與研究方法之說明。重點在於鋪陳論述當代社會網絡下之藝文風潮形塑現象，進而推及到文化整合創意設計以推動產業之流行脈動探討，更藉由彰顯手作行為中之手感價值，來呼應現今手感經濟之消費趨向。

第二章將手感之產生視為一段感官體驗的旅程，聚焦於人類身體的感知運用探討，就此對應心物合一的思想架構，分別以三小節來論述呈現。第一節，以感官層面追溯雙手之使用與創造，此節細分成：（一）人類身體的感知能力運用；（二）藉雙手的勞動在塑造工具中開創文化。第二節，自生活實踐回歸身體層面之探尋，重點為：（一）從親歷體驗中獲得知識；（二）傳統哲學下身心對立的反思。第三節，手感體驗熱潮遞現身心的平衡，包含兩個部份：（一）依身體現象學觀點探討手感體驗；（二）以手作工藝設計體現手感經驗。此章欲析論自感知運作到身心合一的經驗歷程，從而建構手感體驗之理則與背景。

第三章為當代手作工藝的多元面向探討，將手作工藝深具歷史脈絡及文化意味的面貌做一總括闡述，使其確切地映現時代及思潮的發展，共三小節以茲分述。第一節，手作工藝之歷史淵源與現況，旨在說明：（一）手作工藝之發展背景與變遷；（二）當代手作工藝之主體定義與意念傳達。第二節，手感體驗與手作工藝之社會文化連結：（一）手感體驗和周遭世界的聯繫關係；（二）手作工藝文化物件之社會創造體現。第三節，後現代思維影響手作工藝之設計表現：（一）當代手作工藝之後現代精神；（二）當代手作工藝之創作解析與類別。本章端就手作工藝與周遭世界之關連評析，藉此導向手感體驗的設計連結。

第四章則將手作風潮引領手感經濟時代的來臨視為核心，共採三小節來探究。第一節，當代手作工藝牽涉之社會層面與流行現象，細分兩部分為：（一）手作工藝物質生產關係影響上層結構；（二）當代手作工藝之時下風潮帶動。第二節，以手感體驗意象帶動生活風格：（一）手感取向之集體意識與體驗思維；（二）手感體驗概念投入資本活動之發展契機。第三節，自手作工藝之情感體驗展現手感經濟消費觀：（一）手感體驗導向之經濟價值；（二）聚集手感經濟之消費效益。據此，第四章是以手作風潮為基調，再擴展至社會現象與消費層面之探究。

結論的部分乃根據本研究之綜合歸納、分析、詮釋與發現，針對此議題的影響所及與未來願景逐一提出，從而打造手感體驗設計導向之理想實踐，期能將真誠性之手感思維融入手作工藝的表現當中，並且善加運用手感體驗的概念連結，以增進各設計層面上的感知價值。本研究更關切到體驗活動盛行所帶來的社會風氣及其趨勢，將手作生活型態視之為深化感知、觸發情意的原動力，於大眾消費、商品化社會泛起的同時，由其中衍生的手感經濟新興風潮來推動優質消費價值觀之展現，更有助於業界產銷鏈的整體提升，使得手感體驗成為當代設計導向的活絡創意泉源，其概念亦是時代思潮的躍進。

關鍵字

手作工藝 ； 手感體驗 ； 手感經濟

並列摘要

Creation behavior of handicrafts has already been extended all over the contemporary society, its prevailing trend and effects show how people value the design trend that is handiwork- and emotive-oriented. In recent years, experiential concept has been fused with the processes of numerous activities, namely the human body is regarded as the basis of receiving perception and forming consciousness; this is also the result that is reflected by thoughts, trends, and art forms of the past. People nowadays value art connotation gradually and blend aesthetical experience into the emotional environment; thus, design is influenced by this prevailing trend comprehensively, the spirit of emotive experience has been transformed to the source of creating performance. The extensive areas that emotive experience involves not only affect people’s life style directly, but also extend to the real-life situations such as mass consumption and economical activities; they contain the meanings and values of the new era. From the life style that values hand touch feeling, this study finds that people expect to use various practical behaviors to deepen the phenomenon and trend of life experience.

In this study, the emotive experience is regarded as the main objective of discussion, and handicraft is used to illustrate the connection between the exploration of emotive experience, the philosophy of handicraft practice, and cultural connotation, so as to analyze and discuss the extension and creation of emotive consciousness, and then more new social values can be revealed. There are three study motives: First, reappearing the innovative life style of the fusion of handiwork and physical labor values. Second, elaborating how the prioritized directions of sensory perception influence the connection of experience. Third, discussing the knowledge establishment and unification of handiwork and emotive experiential context, and emphasizing the positive implied meaning of emotive experience so as to optimize the values of the public.

Craft-related activity is always the epitome of human life, the progress of its work production also confronts all kinds of value transformation tests in the capitalist society. Due to the trends that value diversity, emphasize difference and free will in the post modern environment, the handicrafts have developed to the cultural matter of world recurrence, they also lead the emotive consciousness to match with the perceived experience and humanism trend; all of these are the topics that are needed to be discussed and thought deeply. In the light of these topics, the study objective that this study attempts to analyze and discuss is to deliberate from the viewpoints of body phenomenology and emphasize the importance of practicing what one preaches, so as to explain the emotive experience and the existing value of emotive experiential phenomenon. Secondly, the value of handiwork thinking would be elaborated by tracing back to the development of craft culture so as to explain the development context of handicrafts. And then, the design and performance of handicrafts would be discussed in accordance with the post-modern art trend, so as to show that handicrafts are the meaningful cultural matter that can influence the development of contemporary trend. Lastly, the collective consciousness and design application of hand touch feeling would be analyzed from the perspective of current situation, so as to analyze the consumption style that has emotive economical concept, and the aesthetical thinking of the public would be promoted in the mean time.

This study uses document analysis to carry out analysis and discussion, while in-depth interview would also be carried out, expecting to combine the documental theories and practical current situations to set off the central idea. Integrating the explanation of documents and theories and the findings from study exploration, this study divides this topic into five main chapters for discussion. The first chapter is the introduction that includes five sections, which are the explanations of study background, study motive and objective, study scope and limitation, term interpretation, and study method. This chapter mainly discusses the art trend and shaping phenomenon in the contemporary social network, and then extends to the creative design of cultural integration so as to promote the trend discussion of industry; the consumption trend of current emotive economy would be discussed through the manifestation of the emotive value of handiwork behavior.

The second chapter regards the production of hand touch feeling as a journey of sensory experience, which focuses on the application and discussion of the perception of human body, so as to correspond to the idea structure of mind and matter integration. This chapter includes three sections. The first section tracks back to the use and creation of hands from the perspective of perception, while this section is divided into the application of human body’s perceived ability and the use of hands to start the culture by tools. The second section is the search of returning from life practice to the human body, it emphasizes obtaining knowledge from actual experience and the introspection of opposing body and mind positions in the traditional philosophy. The third section discusses how emotive experiential trend shows the balance of body and mind, which includes two parts: 1. Discussion on emotive experience in accordance with the viewpoints of body phenomenology; 2. The use of handicraft design to express the emotive experience. This chapter attempts to discuss the experiential progress from perception to integration of body and mind, so as to establish the theory and background of emotive experience.

The third chapter is the discussion of diverse directions of contemporary handicrafts. This chapter sums up and elaborates the historical background and culture of handicrafts, which shows that handicrafts reflect the development of times and trends of thought definitely. This chapter is divided into three sections. The first section is the historical origin and current situation of handicrafts; it mainly explains the developmental background and change of handicrafts, and the main definition and idea communication of contemporary handicrafts. The second section is the social and cultural connection of emotive experience and handicrafts, which discusses the relationship between emotive experience and its surroundings, and the social creation and expression of handicraft’s cultural matter. The third section is the influence of post-modern thinking towards the design of handicrafts, which discusses the post-modern spirit of handicrafts and the creation explanation and classification of contemporary handicrafts. The end of this chapter discusses the connection between handicrafts and its surroundings so as to discuss the design connection of emotive experience.

The fourth chapter regards how handiwork trend leads the arrival of hand touch economical era as the core, which is divided into three sections for discussion. The first section is the social aspects and prevailing phenomena that involve handicrafts, which is further divided into two sub-sections: 1. The material production relationship of handicrafts influence the upper structure; 2. The drive of contemporary handicrafts trend. The second section is the use of emotive experiential meaning to promote life style, which discusses the collective consciousness and experiential thinking of hand touch direction, and the development chance of investing emotive experiential concept in capitalized activities. The third section is the expression of emotive economical consumption from the emotional experience of handicrafts, which discusses the economical value that is oriented by emotive experience and the consumption benefit of collecting hand touch economy. In view of the above, the fourth chapter is the discussion that based on the handiwork trend to expand to the aspects of social phenomenon and consumption.

In the light of the integrated generalization, analysis, interpretation, and findings of this study, the conclusion indicates the influence of this topic and the prospective visions one by one, thereby creating the ideal practice of emotive experiential design. Hopefully, the sincerity of emotive thinking can be blended with the performance of handicrafts, and the connection of emotive experiential concept should be used so as to promote the perception values of each design aspect. This study also concerns about the social common practice and its trend that are brought by the prevalence of experience activities, which regards the life style of handiwork as the profound perception and the motive power of touching off the affection. In the mean time of the start of public consumption and commercialized society, the new trend of emotive economy is used to promote the development of high quality consumptive values; it is even more contributive to the overall promotion of the production and marketing chain of the industry. As a result, the emotive experience becomes the creative source of contemporary design, and its concept is also the advancement of the era’s trend of thought.

並列關鍵字

Handicrafts ； Emotive Experience ； Hand Touch Economy

參考文獻

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