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  • 學位論文

意喻、象徵、幻化-方雅蓮創作論述

Metaphor, Symbol, and Metamorphosis: The Creative Discourse of Fang Yalian

指導教授 : 鍾穗蘭
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摘要


摘 要 本論文分為五個章節。第一章針對個人創作動機、背景與範圍作述說。第二章理論以關於佛洛伊德學說與象徵主義和十九世紀畫家魯東、盧梭作品作為論述基礎。第三章則對色彩之象徵、聯想,質感和創作表現技巧與形式做分析,及筆者作品因承作台灣廟宇彩繪所受影響之探討。第四章以個人創作於2011~2015年的作品「花繪之艷」、「迷譎之綠」與「心向心象」等系列作品進行表述。第五章結論是筆者對一路走來的創作歷程,如何豐富生命、療癒自我作闡述。 本次提出之作品以平面油畫、半立體複合媒材為主,運用紙漿、樹脂、石膏粉等媒材為基底,使質感肌理呈現半立體狀態,繪畫材料則混合使用油彩、金粉、壓克力顏料與填縫劑…等。 創作與研究主軸所要表達現代融合中西方的概念與傳承創新,透過對分析自我潛意識做心靈探索,用創作書寫面對生命課題時,咀嚼悲歡、離合、困頓的苦澀滋味,將人間歷練的洗禮轉換成自我昇華與實踐,運用心靈與思想的意喻象徵,堆積成藝術創作的能量,並期許自己能勇敢懷抱對未來的夢想。

並列摘要


ABSTRACT This thesis is divided into five chapters. outlines the artist’s creative motivation, background, and field of expertise. discusses Freudian theory & symbolism. And 19th century painters Odilon Redon & Henri Rousseau as the theoretical basis. analyzes the artist’s work in terms of symbolism of colors, association, textures, creative skills & forms. Furthermore, discusses the impact of the paintings of Taiwanese temples indicates a series of personal works which were created from 2011 to 2015. They are: “The Glamour of Flowers”, “Lost in Fantastic Green” and “A Symbol of The Heart”. provides a summary of the point of view of the artist’s creative process as a life-enrichment and self-healing journey. The majority of works are combinations of graphic oil paintings and semi-three dimensional mixing media, including pulp, gypsum powder, and resin glue, which used to create volume and texture. A combination of acrylic paint, gold powder, oil paints, and caulks is also used in the production. The main purpose of all creation and research is to express the fusion of Chinese and modern western concepts of inheritance and innovation. The artist has a mental exploration through an analysis of the self’s subconscious. And the artist also describes life issue with creations when encounter with “sorrow be separating , laugh be together, and the experience of hardship in life”. The artist transcend the experience of pain into self-elevation and realization. Metaphors and symbols are mentally transformed, and eventually metamorphosed into the energy of artistic creation and be brave to embrace the dreams for the future.

並列關鍵字

symbol;Symbolis

參考文獻


參考書目
中文書目
1.王勝 (2000)。西方傳統油畫三大技法(2000初版,2009二刷)。臺北 市:國立歷史博物館出版。ISBN:957-02-7112-4。
2. 王秀雄(1991)。美術心理學: 創作.視覺與造形心理=THE PSYCHOLOGY OF ART (1991修訂版,2002再版)。台北市:台北市美術館。
ISBN:957-00-0331-6。

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