內心情緒與外在呼應-張恩茂版畫創作論述

摘要本創作主要是在釐清個人研究方向與剖析自身關切的議題與情緒抒發，另一方面透過學理依據如：象徵主義、超現實主義、精神分析－潛意識來內化作品的深度與廣度。現實生活中有著種種環繞的壓力，提供了筆者抒解內心情緒壓力的一種方式，讓筆者心靈達到內外平衡共處的狀態本創作的之研究目的為：一、探討內心情緒及外在表現所轉化的歷程，作為創作意念詮釋之學理基礎。二、以仿美柔汀絹網併貼版作為內心情緒與外在呼應來呈現。三、以具體的作品詮釋創作理念與釐清脈絡，並開拓藝術研究價值。四、透過不同版種組合的方式，來詮釋個人與外在環境呼應。研究方法採：一、內容分析法；二、行動研究法。本論文在書寫架構上包括：第一章分別闡釋說明本創作研究之動機與目的、研究範圍與限制以及研究方法與架構。第二章文獻探討，包括創作相關之美學理論、藝術創作相關流派及藝術家對創作之影響。第三章包含創作表現意涵，以及創作中的形式語言之分析探討。第四章作品解析之創作理念。第五章針對本創作研究過程與心得作檢討與總結，省思與檢討未來可能的發展方向。筆者藉版畫創作為內心情感與外在呼應的藝術表現，透過版畫的創作，希冀將個人內在對於潛意識特有的情感昇華，以版畫創作過程來代替內心情感，使情感得以抒發得到救贖。關鍵詞：象徵主義、超現實主義、精神分析－潛意識、版畫創作

關鍵字

象徵主義；超現實主義；精神分析－潛意識；版畫創作

並列摘要

Abstract This research paper is to clarify my personal creative path, to analyze my concerns and to express my feelings while utilizing academic theories such as symbolism, surrealism, psychoanalysis-subconsciousness to examine the works’ level and attainment. Surrounded by various real life stresses, woodcut provides a channel for me to reconcile my emotional stress thus to achieve a state of balance, inner peace. The purposes of this research paper are: 1) to probe my transformation process as to how my internal emotions were converted to the external presentation and became the force of the creations; 2) to analyze how I utilized the mimic Mezzotint collagraph to echo and to present my emotions externally; 3) to explain my creative ideas through the actual creations, to elucidate the sequence of the ideas and to explore the creations’ artistic value; 4) how I use diverse versions of combinations to express myself and to echo my feelings about the external world. The research methods of this paper consist of: 1) content analysis method; 2) action research method. The structure of this paper includes: Chapter 1 which explains the motive and purpose of this research paper and its structure, scope, limitations and methods of research; Chapter 2 which holds literature reviews. It covers aesthetic theories on creation, art creation related genres and artists' influences on creation; Chapter 3 which entails an examination of meanings that the creations were trying to convey and an analysis of the forms and language the creations had utilized; Chapter 4 which examines the artistic ideas behind the creations; Chapter 5 which reviews the process of writing this research paper, discusses what I have learned during the process and concludes the paper with possible areas for future research. The art creation, woodcut is a means for me to express my personal feelings about the external world. I intend to free my personal feelings through the process of woodcut creation and to obtain my personal spiritual redemption. Hopefully, I can distill the emotions that lurk in my subconscious into art. Keywords: symbolism, surrealism, psychoanalysis-subconsciousness, woodcut creation