托馬斯．高里斯基擊樂二重奏與電子音樂《繭居者》之樂曲分析及詮釋

托馬斯．高里斯基（Tomasz Golinski, 1986-）是二十世紀相當重要的一位波蘭籍作曲家，他在擊樂作品的貢獻中佔有一席之地，從擊樂獨奏、二重奏至多重奏，近年來更橫跨電子音樂將其和擊樂結合創作出許多精采的作品，創作出各種經典擊樂曲目，各項樂種托馬斯．高里斯基都勇於嘗試也讓他成為一位創作多元的擊樂作曲家。本論文研究托馬斯．高里斯基的《Hikikomori》（2017），此曲是在2017年受到國際知名打擊樂二重奏《DoubleBeats》委託創作的電子音樂搭配打擊樂二重奏的曲目。本文分為四個章節，第一章「緒論」中包含了研究動機與研究範圍與方法，第二章「托馬斯．高里斯基及《Hikikomori》背景」將探討作曲家生平及作品，第三章「《Hikikomori》樂曲分析與詮釋」將對此曲進行結構分析與樂曲詮釋及琴槌的挑選以適合演奏本曲，最後則是「結論」將總結分析及詮釋內容並點出攻克本曲時遭遇的問題及解決方法。

關鍵字

托馬斯．高里斯基；電子音樂；擊樂二重奏；《Hikikomori》

並列摘要

Tomasz Golinski (1986-) is a Polish composer who is a great composer of the twentieth century. His contribution to percussion works has held a place on the international scene, which has included percussion solo, duet, and multi-percussion. In recent years, he has also spanned electronic music and combined it with percussion music to create many brilliant works and compose a variety of classic percussion repertoires. Thomas Golinski has become a diversified percussion composer was because he has been brave enough to try various music genres. This paper is a study of Thomas Golinski's " Hikikomori " (2017), a repertoire composed as percussion duo with electronic music, which was commissioned by the internationally renowned percussion duo "Double Beats" in 2017. This paper has divided into four chapters. The first chapter is an introduction. We will talk about the motivation of the study, the scope, and the methods for the research. The second chapter is the background of Thomas Golinski and Hikikomori. In this chapter, we will discuss the life and work of the composer. The third chapter will be the analysis and the interpretation of Hikikomori. It will carry out the structural analysis, interpretation of the piece, and how to select suitable hammers for performing the music. Finally, the conclusion will be summarized the resolution and the meaning of this research and point out the problems and solutions when performing the music.