流動  在虛實之間

從2008年開始由摸索、確定方向到發展系列創作的篳路襤褸，直至2012年「流動　在虛實之間」總算如期付梓。此論述記錄筆者對旅行所見所聞以及生活世界中因光影而產生循環狀態的觀察，將此動態思維轉化為陶瓷創作的形成。　　文章主要以光影對空間所形成的虛實感受，透過流動於虛實空間中的「氣」（能量）如風、水為此世界帶來循環，全文從莊子哲思入手對照西方觀念對無、有之間並非二元對立，而是相生相息互為因果的狀態，此狀態經由個人的感知得以透過現實存在的媒材，具體實現成可觸的造形空間－－具有動勢的造形。　　創作內容分別由：旅、尋求新視野、因莊子哲學體悟自然之「道」、創作覺知狀態、作品的詮釋與方法到結論六個章節所組成。當中將觀念貫徹於創作而形成《聖境》、《漩波舞浪》、《彷彿若有光》、《凝固的雲》、《水漫》、〈雲起時〉，主要架構從既有思想中重新建構以當代的覺知來進行創作，再度將過去旅行的經驗重新思惟，以「土」做為創作媒材來自我實現對流動世界的觀察。　　歷經研究所三年的光陰不分晝夜、晴雨、寒暑，將一股熱情化為與土的結合，努力於身體感與材質接觸的知覺，從中間摸索出創作的新方向－－對線條在立體空間中的研究。

關鍵字

流動；虛實；陶瓷；光影；莊子；線條

並列摘要

Starting from searching, confirming the direction into developing the series of art creation in 2008, until the finish of the essay “Floating between reality and abstractness” in 2012-- all the hardworking finally put an end. The essay inscribed the observation of the circle state caused by energy from traveling and living world, then transformed this moving thought into an art creation of ceramic. The main topic of the article described the feeling of reality and abstractness inspired by the lightness to the space, the “Qi”(Vital energy) which float between reality and abstractness like wind, water brought circles to the world. The concept of Zhuangzi, which contrasted with western concept, indicated that there is no dualism but an unity of opposites, the state could be performed from personal sensation into existing and touchable object--The object with movement. The contents were formed by six chapters : travel, expanding new horizons after predecessors, experiencing the “Taoism” of nature by Zhuangai philosophy, the awareness state of creating, the expressions and methods of creating to conclusion. Implemented the concepts mentioned above within the creations, such as “the great mountains”, “whirling corals”, “glossy flowers”, “congealed clouds”, “flowing water”, “moving clouds”. The main structure was rebuilt by contemporary awareness, redefined the travel experiences, and fulfilled the observation of floating world by “soil”. After three years of programs in research institute, we combined our passions with soil no matter day and night, tried our best to gain more awareness on the body sensation and the materials, and found the new way out to create---the research of the lines in three-dimensional objects.