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論建築作品評論的特徵

On Critical Characteristics in Architectural Works

摘要


建築評論在當代思潮的蓬勃發展下,就像文學評論的百家爭鳴一般,也在嘗試尋找建築評論自己的出路。綜觀二十世紀以來,當代思潮在現象學、存在主義、結構主義語言學及符號學、乃至詮釋學、接受美學、讀者反應批評、一直到解構閱讀理論等,早已將建築與社會的現代主義帶入後現代主義的範疇;在二十一世紀的今日,建築作品評論應如何跨越羅蘭.巴特所謂「作者已死」的樊籬築起建築自有的評論堡壘,並賦予介於設計者、評論者與閱讀者之間的建築作品,一個真正屬於它的評論文本。此乃是本文闡釋的要旨。本文是以哲學詮釋學的方法為主,從建築作品、設計者與評論者皆同在「對話遊戲」中的角度,論析建築作品評論所特有的本質,並揭櫫這些特徵的意義。

並列摘要


Literary criticism clarify its confusion, when architectural criticism is looking for its way under the prosperity of contemporary observations. Generally speaking contemporary observations in twenty century, there are many theories like Phenomenology、Existentialism、Structuralism Linguistics and Semiotics、Hermeneutics、Reception Aesthetics、Reader-Response Criticism、Deconstruction and so on, they have led Modernism to Post-Modernism in the fields of architecture and society. Today in twenty-one century, how architectural criticism should across the fence of Roland Bather's ”The author's death”, and should build up critical field itself. And it bring up a critical text itself between designer、critic and reader they are something to do with architectural works. This is the point of this paper. It is the main method by philosophy Hermeneutics to discuss critical characteristics of architectural works, from point of view about dialogue game where architectural works、designer and critic participate together at the same time. And it will also clarify the meaning of these critical characteristics.

延伸閱讀


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