論篇章風格中剛柔成分之量化－以稼軒「豪壯沉鬱」詞為例作探討

The Quantification Analysis of the Proportions of Toughness and Delicacy in Literary Works-From the "Heroic Melancholy" Style of Xin Jia-xuan's Lyrics

陳滿銘(Man-Ming Chen)

《國文學誌》 25期 (2012/12) Pp. 61-102

https://doi.org/10.6973/CJ.201212.0061

摘要

篇章是建立在二元（陰柔、陽剛）互動的基礎上，以呈現其「多二一（0）」螺旋結構的；而其風格之形成，便與這種由二元（陰柔、陽剛）互動所組織而成之「多二一（0）」螺旋結構與其「移位」、「轉位」、「調和」、「對比」，息息相關。本文即以稼軒詞中幾首「豪壯沉鬱」之作為語料，用這種由二元（陰柔、陽剛）互動所組織成之「多二一（0）」的篇章螺旋結構與其「移位」、「轉位」、「調和」、「對比」為依據，對整體結構之陽剛與陰柔消長的情形，進行探討，並破天荒地試予量化，由此可概見篇章風格中剛柔成分量化之功用於一斑。

關鍵字

篇章風格 ； 剛柔 ； 量化 ； 稼軒詞 ； 「多二一（0）」螺旋結構

並列摘要

Literary works are mostly based on the interaction of dualism between the masculine and feminine components (i.e., toughness and delicacy) that forms a ”multiple, binary and single (zero)” structure. The development of a literary style, therefore, is an interactive process that is closely related to the arrangement of ”multiple”, ”binary” and ”unitary (zero)” structure and its variation such as ”shift”, ”transfer”, ”harmony” and ”contrast”. This article takes example of Xin Jia-xuan’s Lyrics and selects the heroic melancholy as material to quantify the interactive vicissitude between the elements of toughness and delicacy in his lyrics, according to the ”multiple”, ”binary” and ”unitary (zero)” structure and the variation of shift (in compliant/reverse sequence), transfer (incompliance), harmony and contrast in literary works. Therefore it embodies the function of the quantification analysis of the proportions of toughness and delicacy in literary style.

並列關鍵字

literary style ； toughness and delicacy ； quantification ； Xin Jia-xuan's lyrics ； the "multiple" ； "binary" and "unitary (zero)" structure

參考文獻

王易(2006)。中國詞曲史。北京:團結出版社。

王希杰(2003)。章法學門外閑談。平頂山師專學報。18(3)

朱德才、薛祥生、鄧紅梅、葉嘉瑩編(2006)。辛棄疾詞新釋輯評。北京:中國書店。

吳應天(1989)。文章結構學。北京:中國人民大學出版社。

周振甫(1989)。文學風格例話。上海:上海教育出版社。