絲弦二胡音樂初探

A Preliminary Study of "Silk String" Er Hu Music

朱文瑋(Wen-Wei Chu)

《藝術學報》 84期 (2009/04) Pp. 267-288

https://doi.org/10.6793/JNTCA.200904.0267

摘要

在上世紀50年代二胡的絲弦被金屬弦取代之後，絲弦二胡幾乎已經被淘汰。金屬弦二胡在「現代國樂」的要求下，確實有其絕對的優勢，也將二胡音樂的發展帶入一個新的境界。不過，絲弦二胡真的已經毫無價值了嗎？曾經也無人聞問的西方小提琴羊腸弦再度被重視，音樂的發展也逐漸走入多元的時代。絲弦二胡音色溫潤、厚實，有著無窮的餘韻。絲弦二胡音量柔和、運指輕鬆，令人身心交融、舒坦自在。音樂不獨只是表演，更多人所期待的是自我怡悅。本研究針對演奏者及欣賞者的訪談及問卷，呈現了絲弦二胡持續發展的極大可能，也初步地探討了與樂器或演奏相關的種種問題。

關鍵字

二胡 ； 南胡 ； 金屬弦 ； 絲弦

並列摘要

The metal strings took the place of silk strings to the instrument ”Er Hu” in 1950's. Since then, silk- string Er Hu was almost eliminated. Under the requirement of the ”Modern Chinese Traditional Music”, metal-string Er Hu has its own advantageous position. It's also brought Er-Hu into a new field. However, is silk-string Er-Hu really valueless? The catgut in violin, which was almost forgotten by the Western world, was polished up again nowadays. Moreover, its musical development has been becoming multiple. The voice of silk- string Er Hu is tender, natural and powerful. It has an endless echo. The sound of silk- string Er Hu is soft and touching. A vibrato of it will mix people's soul and body together. Music is not performance only. More people expect to enjoy themselves. So, the research focuses on the interview and questionnaire between the performers and the audience. It also shows the unlimited development of silk- string Er Hu. Meanwhile, it exposes some questions on the instrument and the performance.

並列關鍵字

Er Hu ； Nan Hu ； metal string ； silk string

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