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執情抗君王-敦煌本〈韓朋賦〉中的喻象與女性書寫

The enforcement affection of anti-kings - This Dunhuang"Han Peng ode"metaphor as and female writing

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摘要


本文試圖從「女性書寫」的角度審視敦煌本〈韓朋賦〉的表現模式,由於篇名雖以「韓朋」為題,故事的主軸與架構卻側重於「韓朋妻」的描述,並且由「韓朋妻」主導整個故事的進程,甚而文中的詩作也被多次以「韓憑妻」為名載錄於明清的古詩集中,足見其以「女性書寫」為主的敘事模式。除了探尋「女性書寫」在〈韓朋賦〉中的展示外,更藉由文中「女性喻象」的發掘,證成其以「女性書寫」為主之脈絡。然而〈韓朋賦〉在喻象的呈現上是多層次的表演,除了先以「女性喻象」強調「韓朋妻」的女性自覺外,更進一層以「陰陽喻象」的對比共寫;一方面映襯「女性書寫」在文學表現上的重要性,另一方面則展現「交融共生」以臻「生生不息」之理想生命情境。這層喻象的展現從「分」導向「合」;從「衝突」走入「交融」;從生命的有限創造生生不滅的永恆;從悲劇的苦難昇華為同情的喜悅,如果經由這樣的詮釋,而能重探〈韓朋賦〉所帶來的文學性以及文化上的價值,未嘗不是一個新的視角。

並列摘要


This article attempts to "write women" perspective of the Dunhuang " Han Peng ode " the performance model, although the title of " Han Peng " in the title of the spindle and the structure of the story focused on "the wife of Han Peng " description, and from " Han Peng wife, "the process of leading the whole story, and even the text of the poems have been repeatedly" with the wife of South Korea, "the name recorded in the Ming and Qing Dynasties of Ancient focus is reflected in its" female writing "narrative-based model. In addition to searching for "female writing" in the " Han Peng ode " in the display, but also by the text "female metaphor as" the excavation permits into its "female writing" context-based. However, " Han Peng ode " In the metaphor of the show as it is multi-layered performances, apart from the first "female metaphor as" stress " Han Peng wife" female consciously, the further "yin and yang metaphor as" a total contrast to write a aspects against the background "female writing" In the literature on the importance of performance, on the other hand, to show "symbiotic blend" which "live" the life of an ideal situation. This metaphor, as the display layer from the "sub"-oriented "competent"; from the "conflict" into the "fusion"; from the creation of the limited life of eternal life and life after death; suffering from the tragedy into sympathetic joy, if such an interpretation by the , and to re-explore " Han Peng ode " brought about by the literary and cultural value, it might be a new perspective.

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