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聲樂伴奏之基本認知概論-以德文藝術歌曲為例

The Basic Concept of Vocal Accompanying

摘要


筆者將針對在德文藝術歌曲中聲樂伴奏者和歌者合作時所應有的基本概念,包含呼吸及聲部之間的配合與平衡等方面,進行論述,並深入探討和剖析詩詞意境如何影響演奏詮釋,更進一步認識鋼琴在不同之樂段所扮演的角色,最後提出練習建議,並期望能給年輕及較無經驗之伴奏者在和歌者合作時有所助益。

並列摘要


This article focuses on the cooperation between the singer and the vocal accompanist, with an emphasis on German Lied. It contains basic concepts that include issues that involve the singer's breathing, sound quality and the balance between piano and voice, an analysis of how the poetry can affect the interpretation, and the role of the piano in different musical segments of a song. Furthermore, it also makes a few practical recommendations for younger and more inexperienced accompanists and singers.

並列關鍵字

Balance Breathing German Lieder Poetry Vocal Accompanist

參考文獻


李燕宜。〈淺談「鋼琴合作」〉,《樂苑》,no. 34(十二月2011):34-35。
Moore, Gerald.《無愧的伴奏家》。鄭世文譯。台北市:世界文物出版社, 1995。
Garrett, Margo.〈French Melodie: Singing Diction and Performance Style〉, 《歌劇‧演藝←→演繹‧劇場國際學術研討會論文集》。論文集,國立 臺灣師範大學表演藝術研究所,2010 年6 月:45-56。
Katz, Martin. The Complete Collaborator: The Pianist as Partner. USA: Oxford University Press, 2009.
Moore, Gerald. Am I too Loud? Memoirs of an Accompanist. London: Hamish Hamilton, 1962.

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