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全球市場中臺灣傳統服飾產業之品牌時尚化分析

The Analysis of Branding Fashionalization for Traditional Taiwan's Clothing Industries in Global Markets

摘要


本文試圖在全球化下的國際分工與貿易中來探討臺灣傳統服飾產業如何轉型成為時尚精品產業,並在全球的競爭狀態與策略中,破除原本的競爭邏輯,擴展產業邊界而創造出新的藍海商機。文中藉由傳遞新的國家競爭力與時尚品牌之經濟價值以及闡釋傳統產業時尚化的分析模型,來探討臺灣夏姿服飾公司品牌轉型的過程。以國家形象、競爭差異、行銷策略所建立的架構,發現到夏姿轉型為國際時尚品牌後,傳遞出代表著國家形象以及消費者對於特定國家文化認同感的象徵意涵,並開創出藍海策略之競爭差異來擺脫低價競爭與區隔同價市場,最後透過行銷策略使得品牌在現代化與全球化中得以持續發展。夏姿這樣的轉型,除了能夠找到一條全新的路徑而立足於國際市場,也讓其成為臺灣在時尚中的華人文化之典範。

並列摘要


This article attempts to explore the transformation in Taiwan from traditional clothing to a fashion boutique industry in the context of global competition and strategies to eliminate the original logic of competition, expand industry boundaries and create so-called new blue ocean business opportunities. This paper establishes the new national economic value of fashion and uses the model of fashionalization to explore the process of transformation from SHIATZY CHEN in Taiwan. Examining images of nation, diversity of competitiveness, and strategy of marketing, the author finds that following the transformation into an international fashion brand, SHIATZY CHEN delivers the symbolic meaning of national image, as well as consumer specific cultural identity, and creates blue ocean strategies that eliminate low-end competition and separate the same price market. What is more, these marketing strategies made the brand compatible with modernization and globalization. The transformation of SHIATZY CHEN produces not only a product that reflects the international market, but a model of fashion from Chinese culture in Taiwan.

參考文獻


三采文化(2009)。華人時尚設計力:13個華人設計師的故事。臺北:三采文化。
王志弘、沈孟穎(2010)。東南亞飲食再現策略:異國時尚、多元文化與己異化認同。臺灣東南亞學刊。7(1),151-192。
王受之(2006)。服裝史。臺北:藝術家出版社。
王鳳生、陳思慎(2006)。經濟學─生活世界之解讀。臺中:滄海書局。
石靈慧(2005)。品牌魔咒─打造奢華品牌的Branding工程。臺北:高談出版社。

被引用紀錄


黃宜婷(2016)。不同年齡女性族群手提包設計創作〔碩士論文,朝陽科技大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0078-1108201714020929

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