堀口大学の映画体験について―全集所収の「随想」を中心に―

筆者認為崛口大學在形成其創作中特殊作詩風格的重要原因上，有必要列舉他年輕時期起對當時電影特別喜好的影響。這是因為崛口一生中不僅持續就電影展現高度的興趣，也不斷頻繁地發表與電影相關的言論。筆者在本論文中首先援引其〈隨想〉的〈電影˙演藝〉部分的文章，就－1.演員評價、2.法國電影與導演之相關見解、3.電影觀賞實例與影評、4.電影與文學的比較對照－此四項目作全盤性的整理，作為建構日後考察崛口受到尚˙考克多電影影響的研究基礎，並以此就尚未將電影此要素納入崛口研究的考察方向上提示一個嶄新觀點。

關鍵字

崛口大學；電影；〈隨想〉；尚˙考克多；《某詩人之血》

並列摘要

I think that we might need to refer to the influence of films where Horiguchi Daigaku showed great interest since he was young while he formed a peculiar poetry style of his creation. That is because that Horiguchi kept on not only having an extraordinary concern for films but also frequently talking about films through his entire life. In this paper I try to make a total arrangement of hi remark about films in his articles of (Movie/Performance) in the (Essay) by following the four items- l. Evaluation about actors, 2. Film-watched examples and the commentary about them, 3. Opinions concerning French movies and directors, 4. Comparison of movie and literature.- to verify how the Jean Cocteau's films affected Horiguchi, furthermore, to build up a brand new Horiguchi research infrastructure for those which did not take movie into cosideration.