斯克里亞賓鋼琴音樂探索

The Exploration of Scriabin's Piano Music

吳雅婷(Ya-Ting Wu)

《臺中師院學報》 19卷1期 (2005/06) Pp. 213-242

https://doi.org/10.7037/JNTTC.200506.0213

摘要

斯克里亞賓是十九世紀末浪漫派音樂家中，對鋼琴音樂貢獻最多的作曲家之一。他也是少數一位能搭建傳統調性和非調性橋樑的作曲家。斯克里亞賓不斷的在探索新的音樂表現手法，既保有浪漫時期晚期的寫作，又具有獨特的手法。成熟以後的他，逐漸受到不同美學、哲學和神秘理論的影響，這些因素促使他走向宏偉新奇的藝術觀。本文將從中歸納、發現斯克里亞賓鋼琴作品中獨特的寫作手法及音樂語言。

關鍵字

斯克里亞賓 ； 神秘和絃

並列摘要

Scriabin is one of the composers who devoted themselves to the piano music the most in the end of the nineteenth century, the Romantic period. He was also one of the few composers to bridge the gap between conventional tonality and atonality. Scriabin continually explored the new means of music expression, in which he both maintained the composing way of the late period of the Romanism but demonstrated his own individuality. As he matured, however, he came increasingly under the influence of diverse aesthetic, philosophical, and mystical doctrines that impelled him toward an artistic vision of unprecedented grandiosity. This paper will generalize and discover Scriabin's peculiar composing method and the characteristics of musical language in his piano music.

並列關鍵字

Scriabin ； Mystic Chord

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