摘要
中興新村的家屋是我童年的宇宙，是我探索這個世界最初的起點，是我記憶的容器，也是學習社會關係最早的場所。隨著生命的改變、成長以及離開這個家，回頭去看才會發現，影響我心理發展的不只是與家人之間富於意義的情感關係，還包括與那些重要的、源於兒時物質環境之間的密切情感連結。 而我想人終其一生，都在努力達到自身完整的狀態。家屋是個起點，透過認識我的家也是進一步認識自己、陳述自己，並與人產生連結。因此家也才變成一個關於我是誰、我從哪裡來與要往哪裡去…等等，關乎集體認同的問題。因此研究家屋，或將家作為創作的題目，從而成為去探索自己以及周遭的人們，在時間之流中對自我與群體存在的認知與感受。 本論文是以Gaston Bachelard的《空間詩學》對家屋空間的場所分析為基礎，試圖把「存有」的哲學概念推往現實與在地的修正。將從家屋的空間與心靈之間的連結開始，以及家屋作為歷史物質的探索，繼而探討家庭作為一種歷史的意識形態，如何在國家到個人之間作用。而作品架構是年表式地從《延遲與凹洞》、《紅字團2014-1949》到《中山高》這三個作品發表，整理了從自我的再認識到批判創作實踐的歷程，而『如何設計出一種主體的敘事』是這歷年來創作的目標。
並列摘要
My home in Zhongxing Village is my universe in the childhood. It was my starting point of the world, my container of memory, and my space for learning social relationship earlier. Following the change of my life while I grew up then left home, I look back and find out that my psychological development is not only influenced by rich meaning and emotional relationship between me and my family members, but also including those important and closed connection from my childhood substance environment. As I think people in their whole lives, working hard to achieve their own complete status. Home is a starting point, through the understanding of my home is a better understanding of myself, my own statement, and it generates links with people. Therefore, “home” has also become the issues about who I am, where I came from and where I would to go in respect of collective identity…..and so on. Whether the study of home or taking the family as a creative subject is becoming to explore myself and people around me, it is in the flow of time in the presence of self and community awareness and feelings. The thesis is based on Gaston Bachelard’ s work "The Poetics of Space" analyzed the space meaning of homes, I tried to move and fix the philosophical concept of “existence” to reality and localization. I will start from the link between the space of homes and the mind, as well as exploring a historical housing substance, and then I try to discuss the concept of “family as a history of ideology”, how it effects with the country and individuals. The work construction is a chronology formula of three works presented from "Delay and Pit", "The Red Bloc 2014-1949", and "Sun Yat-sen Freeway." It compiled the process from self-criticism to critical artistic practicing, and “how to design a subjectivity narrative" is the goal of my creation in recent years.
參考文獻
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