操演性策展：三個台灣展覽案例研究

Performative Curating：Case Study of Three Taiwanese Exhibitions

曾馨霈(Hsin-Pei Tseng)

指導教授 ： 林宏璋

國立臺北藝術大學/美術學院學術論文/藝術跨域研究所/碩士(2016年)

摘要

自二十世紀以來，藝術作品跳脫畫布、展台及真實形體框架，展演活動由靜態走向動態，策展人對於展覽的操作以及影響力逐漸顯著。本論文試圖為操演性策展定義，梳理援引操演性(performative)一字從奧斯丁對於語言與行動的辯證溯源起，至茱蒂•巴特勒在性別研究所開拓關於性別操演性的理論，將操演性策展透過論述宣言與事件操作來進行展演案例分析，對比三個台灣的策展案例：張芳薇的《這是誰的展覽》以及林宏璋與提爾達的《TB2010台北雙年展》，以及鄭美雅與姚嘉善的《未來事件交易》。透過文獻歸納與案例分析得知，操演性策展具有反身觀看的特質，展覽呈現體制有其待調整或者僵化之處，策展人透過策動各種「操演性顛覆」來鬆動體制，建構一個暫時性的、曖昧不明的灰色空間。操演性策展對於當今藝術以及展覽史帶來的質變，由空間導向轉至時間導向的展覽，成為臨時建構的各種情境，透過特殊的儀式或者不斷的調停操作，調動參與其中的各種關係與社會對照。

關鍵字

操演性、操演性顛覆、前衛、論述空間、平權

並列摘要

Since the twentieth century, artworks have escaped from canvas and frame, from static piece to dynamic cultural events. The influence of the curators for operating exhibitions has become significantly. This thesis attempts to define the term “Performative Curating,” using former research on performativity in JL. Austin’s speech act theory, to Judy Butler’s development on the theory of gender performativity. Analyzing the curatorial practices through discursive declarations and event operations for case studies, comparing three Taiwanese curatorial practices: Fang Wei Zhang's "Whose Exhibition is This", HongJhon Lin and Tirdad Zolghadr's "TB2010 Taipei Biennial" and Pauline J. Yao and Meiya Zheng’s "Trading Futrues." Through literature and case studies we can summarize that, Performative Curating has the reflexive qualities, and the exhibitions this kind present their system has to be adjusted or is ossified. Curators instigate “Performative Subversion” to make the system flexible again, and construct a temporary and ambiguous space. Performative Curating has brought up some qualitative change for curatorial and exhibition art history. The exhibition turns from spatial orientation to process based, building up temporary construction for a variety of situations, through some special ceremony or ongoing mediation operations, mobilization and involvement of social relationships.

並列關鍵字

Performative, Performative Subversion, Avant-garde, Discursive Space, Equal rights

參考文獻

Michael Fried, Art and Objecthood, Artforum 5, June 1967

Sol LeWitt，Paragraphs on Conceptual Art，Art Forum Vol.5, no.10, 1967

Filippo Tommaso Marinetti, Prime battaglie futuriste, Milan:Mondadori, 1968

Michael Kirby, Futurist Performance, New York: E.P. Dutton and Co. 1971

Judith Butler, Performative Acts and Gender Constitution: An Essay in Phenomenology and